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Da Couch Tomato Podcast Season 2 Episode 3, discussing The Matrix Resurrections, and how we are undecided as to how we feel about it. Nagpaka-meta na rin sila rito, and pati ang filmmakers may mga jab sa sarili nila. May rant din si Rachel about 'yung make-up ni Niobe. And yes, magaling sina Jonathan Groff at Neil Patrick Harris, pero nasaan si Laurence Fishburne? May shinare din si Sting about how much the Matrix means to him, especially noong unang lumabas ito.

Sting Lacson's rating: 7/10
Rachel's rating: 6.8/10
Final ating: 6.9/10

Hell hath no fury like Amazing Amy.

This is a multiple choice quiz about the film Gone Girl, written by Gillian Flynn and directed by David Fincher.

1. The word "Gone" in the title Gone Girl refers to
  1. a. the disappearance of Nick Dunne's wife.
  2. b. the kidnapping of Nick's wife.
  3. c. the suspected murder of Nick's wife;
  4. d. the suspected suicide of Nick's wife.
  5. e. the insanity of Nick's wife (as in "She's far gone, her mind's all messed up.")
  6. f. all of the above.
  7. g. none of the above.

2. The word "Girl" in the title Gone Girl refers to
  1. a. Nick's wife Amy, played by Rosamund Pike.
  2. b. Amazing Amy, Nick's wife's alter-ego.
  3. c. Nick's twin sister Margo Dunne, who looks nothing like him.
  4. d. Amy's mother Marybeth Elliot, who has already set up a website to find her missing daughter just one day gone.
  5. e. Detective Rhonda Boney, the lead investigator in Amy's disappearance.
  6. f. Nick's mistress Andie, played by Emily Ratajkowski a.k.a. that girl from the "Blurred Lines" video.
  7. g. Both a and b.
  8. h. all of the above.
  9. i. none of the above.

3. The music of this film is amazing because
  1. a. one of the scorers was Trent Reznor of Nine Inch Nails.
  2. b. it was scored by the duo Trent Reznor and Atticus Ross, who won an Academy Award for Best Original Score for 2010's The Social Network.
  3. c. it was scored by the duo Trent Reznor and Atticus Ross who won a Grammy Award for Best Score Soundtrack for Visual Media in 2013 for The Girl with the Dragon Tattoo, which came out in 2011.
  4. d. the score is unnoticeable but leaves a haunting and disturbing feeling, which greatly enhances the film's exploration of psychosis and psychotic behaviour.
  5. e. all of the above.
  6. f. none of the above.

4. Rosamund Pike's performance was exceptional because
  1. a. she is really pretty and nice to look at even though she is psychotic.
  2. b. she portrayed her character so effectively that it made engaged couples think twice about tying the knot.
  3. c. she achieved different physical appearances for her different states of mind.
  4. d. she screams and moans rather loudly when having sex.
  5. e. she might receive an Academy Award nomination for Best Actress this year.
  6. f. all of the above.
  7. g. b and c only.
  8. h. b, c, and e only.
  9. i. none of the above.

5. Neil Patrick Harris's performance was disappointing because
  1. a. his face looked really old in this film and I don't like it.
  2. b. I am so used to seeing him in comedic roles that I half-expect him to break into a smile and say something funny.
  3. c. his sex scene with Rosamund Pike was weird since we all know he's gay.
  4. d. I covered my eyes when his throat was slit with a box cutter, which prevented me from seeing him act out his death scene.
  5. e. all of the above.
  6. f. none of the above.


BONUS: On a scale of 1 to Amazing Amy, how psychotic is your partner?

Psychotic? But she's adorable!



Gone Girl. USA. 2014.



Original rating: 8 / 10
Nail-biting suspense: + 0.1
Tyler Perry as Tanner Bolt: + 0.1
Neil Patrick Harris's death: - 0.1
The adorable reporter from Almost Famous as a grown-up and judgmental cop: + 0.1
Final rating: 8.3 / 10





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Sound Savvy

"Locked Out of Heaven" by Bruno Mars is my current favorite song. For seven straight days, I've listened to nothing else. I've had it on repeat on my music player. It basically sounds like an Andy Summers guitar riff, a Sting bass line, and a simple Stewart Copeland drumbeat if he ever ventured into the wonderful world of electronica. The damn song is so catchy that I couldn't get it out of my head. The only way to get rid of it is to saturate myself with this earworm until it dies a natural death.

This song should be in DJ Earworm's 2013 mash-up.

image source: http://hollywoodcrush.mtv.com/2010/03/16/beastly-exclusive-mary-kate-olsens-foreboding-witch-revealed-in-a-new-still/

Beastly is a modern re-telling of the classic tale Beauty and the Beast, an excuse for Mary Kate Olsen to dress up as a goth chick, and an hour and a fuck of nothing happening.

It was so boring even Neil Patrick Harris and Peter Krause couldn't save it. It was so boring that aside from bad acting, I can't find any other thing to complain about it. Because, aside from cheering every time NPH and Peter Krause appear, I forgot majority of what happened.


A new vigilante shows up in Gotham under the guise of the Red Hood─an alter-ego previously used by a number of other thugs but most notably by the Joker. Unlike his predecessors, this Red Hood has started cleaning up Gotham. And unlike Batman, he doesn’t think twice about killing. Batman and Nightwing team up to find out who exactly is under the hood, and to stop him at all cost.

This is a little darker, and a little more violent, than their previous relases, but DC's strength for me really is in their animated features (as opposed to their live-action movies) and Under the Red Hood a pretty solid production .

The action sequences in this are nothing short of awesome. There are rooftop chases, explosions, gratuitous crashing through glass ceilings, and headshots all around.

Voice acting was top-notch and they've got some pretty well-known names in the cast. As someone who compares every other Batman voice actor to the Kevin Conroy, I thoroughly approve of Bruce Greenwood. He manages to stay in the same neighbourhood as Conroy without sounding like a copycat, and makes the role his own. Neil Patrick Harris as Nightwing, Jensen Ackles as Red Hood and Jason Isaacs as Ra’s Al Ghul─all amazing. John DiMaggio as the Joker was a little too Heath Ledger-ish for me, I would have preferred something a little more maniacal, but the script balanced it out well.

My only qualms are one, where’s all the blood? Fantastic, no holds barred fight scenes, but very little gore. Granted, I’ve never seen someone get beaten to death with a crowbar in real life, but I expected a lot more blood and, I dunno, facial swelling.

Two, is it just me or was this a little short? The plot and the characters were well played out; I didn’t find the progression jarring at all. But when the credits rolled, it felt lacking. Maybe an additional fight scene or two would have rounded it out?

All in all, it’s a pretty solid Batman story. It dwells heavily on loss and vengeance and just completely blows you away.

9.75/10
I think they sold this episode to Joss Whedon saying, "Hey Joss, we have an effective depressing episode lined up, want to direct it?" Basically, even though Whedon supposedly said he didn't want any Whedon-mark in this Glee episode, his fans can pinpoint which scenes he was improving since I hate to admit it, some of the scenes were boring. Neil Patrick Harris trumped every cast as expected. I wish I can listen to his voice all day (wait, I kind of do have Dr. Horrible on repeat mode). Also, I just want to point out I'm kind of liking Quinn's role much better. I think she shines best when the show doesn't focus so much on her.

Okay, let's get this straight first. This film is for kids. If you're an adult expecting a Pixar film, you're not going to get it here.

That said, I shall just turn this into an analysis of the 3D medium. Hopefully, my (still limited) 3D knowledge can be put to use for Philippine cinema.

1. 3D is best viewed up close. The closer you are to the screen, the better the 3D experience. This is because of our field of vision. When you sit on the upper part of the theater, farther away from the screen, the theater's side walls will be included in your field of vision. Viewers of course don't want that. That's why the best way to view 3D is on IMAX 3D. The screen will just swallow you whole.

2. 3D directors, and cinematographers especially, should always remember to use deep focus lenses. The rack focus technique, or shifting focus from foreground to background, is a useful technique only for traditional 2D cinema. This is because this camera technique works by trying to simulate how the human eye focuses on objects. 3D cinema, on the other hand, works by simulating reality. Everything should be in focus. Then it is the viewer's eye that chooses which element to focus on, leaving the other elements out of focus. All the focusing should happen in the viewer's eyes, not in the camera.

3. There should be a rule, like for every 3D movie you watch, you have to watch five 2D films after it. This is because you will get accustomed to the look of 3D. The magic will be gone. So if you want to keep giggling like a child when wearing your 3D glasses, do not saturate yourself with 3D. Of course, that's just me. But I'm mostly always right.

Okay, maybe some of you will not appreciate the information I just shared, so before I end, I'll just give my traditional-style review.

Character designs were okay. I especially liked the design for Tim Lockwood. He reminded me of Sully from Sesame Street ─ all eyebrows, no eyes. And I also loved the design for Manny, the cameraman slash Guatemalan doctor. Benjamin Bratt did a great job with the voice. Of course, how hard can it be for a Latino actor to do a Latino accent?

Hearing Mr. T's voice was refreshing. Maybe warming us up for the upcoming A-Team film.

Neil Patrick Harris, you were reduced to a monkey. That's sad. But it shows that you're a team player. Well done.

Baby Brent, who later became Chicken Brent, is possibly the most annoying movie character since Jar-Jar Binks.

James Caan, I didn't know you were the voice for Flint Lockwood. You had an Italian accent. And they said in The Sopranos that you weren't Italian.

Apparently, this was based on a book. Well, I've never read the book. So there.

Again, typical adults will definitely get bored with this film, so if you're not watching this with your kids, watch it in 3D. At least you won't sleep through it.


*some info from IMDb


Cloudy with a Chance of Meatballs. USA. 2009.


Rating: Six out of ten.
3D-ness: Seven out of ten.
How do you classify Dr. Horrible's Sing-Along Blog? Is it a TV show made for Internet? Is it a short film made for Internet? Am I sounding like a cheesy ad? Or am I sounding like your high school teacher who does not really know how to teach, and stalls around to get a minuscule of a point out.

The minuscule of a point is this:



Even the Emmy's awarding Dr. Horrible do not know where to put it.

For the record, the Emmy's do not know what the hell they were doing. If they were actually genuine, Joss Whedon would have won an Emmy a long long, long time ago in a galaxy far, far away. And not just for the technical effects of his groundbreaking shows.

Ooops, fangirl mode resists to be turned off. I shall take a breather and let's just talk about Neil Patrick Harris.

Okay. Okay. I'm calm again and I shall refuse to succumb to incoherent fangirlism typing the usual "asdaasafsdkfjskdjflakjfa."

Okay. Neil Patrick Harris.

If Whedon is not your cup of tea, you might probably check this Dr. Horrible for NPH. He's NPH, dude. My straight man-friends have a crush on him. They'll probably like NPH better as that guy in How I Met Your Mother, the one named after the purple dinosaur, but who cares? It's NPH. He nails his character with his usual charm even more effectively as the dorky guy who wants to be a supervillain. He is perfect as Dr. Horrible--from dorky to sympathetic to lovable to hawtness to even yes, evil. I think NPH should win an award for nailing the song "Slipping." It was creepy, tragic, bad-ass, and cute. All at the same time. I don't think anyone could pull it off better than NPH.

Oh, did I mention this is a musical? Do I even need to mention that with a title screaming "Sing-Along"?

But if Whedon, NPH, and musicals are still not your cups of tea, then watch it for Nathan Fillion. Which I would find weird because you would probably love Nathan Fillion if you have been watching Whedon's work. And I don't know (or remember) why some people think that Fillion can't act. He was fantastic as the ultra-misogynist priest-like Caleb in Buffy. He was fantastic as the funny-yet-studdly Captain Mal in Firefly. And in Dr. Horrible, he nailed the cheesy, charming, laughable, know-it-all, big brother-like bully Captain Hammer--the superhero, yet clearly the antagonist, and Dr. Horrible's Archnemesis.

But if still, you don't like or know whatever and whoever I'm talking about, goddamn search the fartherst of the earth and find a way to watch this brilliant piece. Just because it's funny. And if funny is still not your cup of tea, god, what is wrong with you people? Dr. Horrible is the exemplar of what funny should be, the kind of funny that actually holds tragedy as tragedy should be, the kind of funny that is sustained all throughout the scenes where funny should not be--not the kind of funny that just uses curse words to get their point and passion out, like "goddamn" errr, right.

But if you still wouldn't watch it because of the points I have raised above, just please, watch it just because I am begging you. You can even watch it just so you can tell me how wrong I am. That NPH is not cute, that Fillion is a bad actor, and Whedon sucks. Of course, I would probably kill you with that last bit on Whedon, but I made you watch! And somehow, with that, I healed the word and made it a better place.
Why does the most loser character get to sit on the couch?
Hooray for single people!

How I Met Your Mother is like the coolest TV show on dating. And it works well with eighties kids, as that's the same age these people are.

I mean, sure I can relate, since Marshall is a second year law student, like me. But the real reason I can relate is because of the love angle. The Ted-Robin love angle, not the Marshall-Lily one.

Reasons to watch it:

1. Cobie Smulders as Robin Scherbatsky. Cobie Smulders is cute. Pretty. Gorgeous. Hot. Cobie Smulders is probably every straight guy's fantasy. Oooh...Cobie Smulders.

2. Neil Patrick Harris as Barney Stinson. Say no more. The undisputed gold mine of quotable quotes in entertainment today. NPH (you only get your name in acronyms if you're really cool, and Neil Patrick Harris is beyond cool) is so quick and witty that I think more than half of his jokes are unscripted, coming straight from the top of his head. If every one of NPH's quotes were put on a t-shirt, you'd have at least one t-shirt for every day of the week. At least. And that's just season one.

But first, let's appreciate the fact that the show wouldn't be a success without the rest of the team. But still, I only watch it for Cobie Smulders, and Doogie Howser's quotes. And the Ted-Robin romance.

Oh, and one last note: Season One isn't about how I met your mother. It's about how I met your Aunt Robin. But you'd have to stay tuned for the other seasons to find out who the real mother is.


*some info from Wikipedia
pic from starpulse.com


How I Met Your Mother (Season One). USA. 2006-2007.


Rating: Eight out of ten.
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