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Da Couch Tomato Podcast Season 2 Episode 11, discussing The Batman. Nagustuhan namin ang realistic tone na ginamit ni Matt Reeves, pero darker and grittier than Christopher Nolan's take sa kanyang Dark Knight trilogy. Ang galing din ng backstory ni Catwoman, na nagbigay ng mas malalim na depth sa character niya. Excited na rin kami sa sariling series ni Colin Farrell as the Penguin.

Sting Lacson's rating : 8.2/10
Rachel's rating: 7.9/10
Final rating: 8.05/10

Help our podcast and get up to 80% off on Lazada if you shop using this link: https://bit.ly/3p4Ur5K

*Random Thoughts is a new style of reviewing we're trying out, so this blog can release reviews faster. In case you don't know, reviewing films is time-consuming, and I don't get paid to do this.

I just love the scratches on Batman's helmet.

•This is the most meta of Batman films in the canon. It's a Batman film about being Batman.

•There's a rundown of Batman villains from the comics, with the common ones such as the Joker, Bane, Harley Quinn, the Riddler (voiced by Conan O'Brien), and Two-Face (voiced by Billy Dee Williams), and Scarecrow, among others, and there's also the weird, obscure ones like Crazy Quilt, Polka Dot Man, Eraser, Condiment King, and Zebra Man, among others.

•There's a rundown of all Batman movies, from 2016, 2012, 2008, 2005, 1997, 1995, 1992, 1989, and all the way back to that weird one from 1966.

•The movie also shows a whole lot of villains from the Warner Bros. catalogue. Is it the Warner Bros. catalogue, or the Lego catalogue? Probably the latter. There's a shark that's probably from Jaws, velociraptors from Jurassic Park, agents from The Matrix, Sauron (voiced by Jemaine Clement) from Lord of the Rings, Voldemort from Harry Potter, and Daleks from Doctor Who. It's Daleks, okay, not "British robots".

•Could've sworn the Joker was voiced by Mark Hamill. Turned out to be Zach Galifianakis. Well, Hamill already voiced the Joker in the animated Batman films, so having him voice the Lego version is highly unlikely, come to think of it.

•Could've sworn Voldemort was voiced by Ralph Fiennes. Turned out to be Eddie Izzard. I just thought since Fiennes is already voicing Alfred Pennyworth, then he probably threw in Voldemort's voice for free. And why is Wingardium Leviosa the only spell Voldemort knows?

•Could've sworn Robin was voiced by Jesse Eisenberg. Turned out to be Michael Cera. Oh, well. Same mold.

•You'll know this is a spinoff of The Lego Movie not just because Will Arnett still voices Batman, but because of the concept of Master Builders (not "Masturbators", you pervert). In the Lego universe, a Master Builder is someone who can mix and match Lego parts to form totally new creations, such as...

•The Scuttler. If the other Batman films had vehicles like the Tumbler and the Batpod, this film has the Scuttler. It looks like a robot or mecha version of a biological bat, which looks a bit clumsy when standing and walking like real bats do, but which can transform into a magnificent flying bat-jet.

•The sountrack is great. There are some original songs aimed at the younger kids, while there are also some old songs used. I particularly loved the use of Cutting Crew's "I Just Died In Your Arms Tonight", which plays when Bruce Wayne sets eyes on Barbara Gordon (voiced by Rosario Dawson) for the first time. Also, there's a very cheesy Lego minifig dance number at the end.

•This isn't just a comedy about children's toys. Beneath the bricks, there actually lie themes of relationships, family, and friendship, things which the Batman films and comics fail to address adequately.

•I can imagine the merchandising. I mean, the Scuttler? Shut up and take my money, Lego.

•One of the most hilarious moments in the film for me was Bruce Wayne's family portrait he has hanging on his wall. It's a selfie with his parents outside the theatre... near Crime Alley. That's right, a photo of his parents right before they died. I mean, would you do that if you were in Batman's shoes?Keep a photo of your folks right before they're murdered? Okay, it's probably just me, but I found it hilarious. Yeah, it was probably just me.

•The most laugh-out-loud joke in this film, however, is Batman's password to his computer (voiced by Siri). And that password is: Iron Man sucks.

"There will be a sequel, right?"




The Lego Batman Movie. USA. 2017.



Original rating: 8/10
Stop-motion animation style: +0.1
Homage to the '60s "Bam! Pow!" sound effects: +0.1
Jerry Maguire scenes: +0.1
Batman and Joker's almost-gay bromance: +0.1
Final rating: 8.4/10
Chud

The Lego Movie isn't really the very first Lego movie. There's Lego: The Adventures of Clutch Powers. There's also Lego Batman: The Movie – DC Super Heroes Unite. Those two, however, converted the cute appeal of the Lego Minifigures into computer-generated characters. Which means in those movies, the Minifigures bend, and I mean in curves.

Bendy legs: great but unrealistic.

What makes The Lego Movie different from those other Lego movies is that this one tries – and succeeds – in achieving the look of the stop-motion fan-made videos on YouTube. The characters don't bend at the knees, and everything is made of Lego pieces – from waves to smoke to clouds to flames.

Some people may prefer the streamlined look of Ninjago or Chyma, so the stiff animation style may not appeal to them. But there are still several reasons why you should go watch this flick. Here are five.

1. "Everything is Awesome"
Yes. That annoying but damn catchy theme song.

The Lonely Island: annoying but damn catchy.

2. The Schizophrenic Good Cop/Bad Cop
Of course we'll hear Liam Neeson's trademark Irish drawl. But we'll also hear him in a high-pitched goody-goody voice.

"Release the Kraken. The boy is the chosen one, you must see it."

3. Super Heroes
By which I mean "DC heroes", specifically Batman, Superman, and the Green Lantern. Three guesses why there aren't any Marvel heroes in here.

Everyone is happy in this movie. Even Gotham's Dark Knight.

4. The Wizard Vitruvius being voiced by God
By which I mean "Morgan Freeman". I also love how they just dangle him on a string to simulate being a ghost.

"My voice acting talent fee is quite expensive." -Morgan Freeman

And finally…

5. The Millenium Falcon
Yes, that's Anthony Daniels and THE Billy Dee Williams as C-3PO and Lando Calrissian.

No photo of the Millenium Falcon available, so here's Abraham Lincoln and Superman instead.



The Lego Movie. USA. 2014.



Original rating: 8.0 / 10
Chris Pratt's genuinely happy voice: + 0.05
Charlie Day's trademark scream: + 0.05
The meta-ness of the entire thing: + 0.05
Will Arnett's Batman performance: + 0.05
Channing Tatum as Superman: + 0.05
Jonah Hill as the Green Lantern: - 0.05
Live action bit at the end: - 0.05
President Business not being Will Ferrell-y enough: - 0.05
Final rating: 8.10 / 10





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And it's final. Christopher Nolan is hanging his cape and cowl after this flick. In layman's terms: This will be the last Batman film directed by Christopher Nolan.

"It better be!"

As a filmmaker, how do you end the most successful film franchise based on a comic book? How do you close the curtains on the grandest comic book opera ever filmed? In layman's terms: how do you go out with a bang?


1. Let it come full circle.
Batman Begins, the first of the Christopher Nolan Bat-films, started with the League of Shadows. And I guess it would be fitting to end with the League of Shadows. Hell, Nolan even threw Liam Neeson in there, just so you don't forget.

Mr. Neeson, for your latest film Taken 2,
your daughter gets kidnapped... again?

So just to make it clear: it began with Ra's Al Ghul, it climaxed with the Joker, and it ended with Ra's Al Ghul's daughter. This is not one of Nolan's best story arcs, I'd have to admit.

By the way, in this movie, the plot twist comes with the knife twist.

Batman, for me, is a crazy person who did not get enough attention as a child, and, truly, it is hard to get attention when your parents are dead. I understand why he is the way he is. Right at the climax of his desire for his mother, the thing he desires the most and the function which is supposed to introduce him into the world of sanity are killed; and so his adjustment toward culture is a little impaired—and by impaired I mean he walks around wearing a cape and wastes his money on gadgets, only to, of course, let killers and robbers escape from prison after their capture, so they may kill and rob again. This is the paradox, the symptom of Batman: He does not finish the job because he enjoys the job, even if he scowls about it all the time, with his signature brood. This is, after all, what Joker has been telling him in all media all of a sudden: Batman needs him, for Batman is trapped in this sort of sexual, libidinal enjoyment involving being all angry, and fighting criminals, and pretending to not like what he does, that it is so difficult. He pretends it’s work, but it is actually sex, done to satisfy mommy, because what else would mommy love more than her little superhero saving the day in the dark…

In Arkham City, Bruce Wayne is captured as a political prisoner for speaking against the new super-prison, which is an enclosure within Gotham that houses all the former inmates of Arkham Asylum. The Joker is sick, and he injects Batman with his blood so that Batman will find a cure. Mayhem ensues. Arkham City, while rendered beautifully with characteristic darkness, in terms of lighting and atmosphere, is really quite dead and desolate, save for the occasional political prisoner predictably being abused, which you must predictably save, though the venues in which Batman goes to do his adventures are just as fulfilling to traverse as in the previous installment.
Year One, based on the comic by Frank Miller, recounts the beginnings of Bruce Wayne taking up the cowl and Jim Gordon's career with the Gotham City Police Department.


I'm kind of ambivilent about Year One. While it's a really faithful adaptation of the comic (almost panel-for-panel, really) , I'm not digging the art direction. The original art was gritty, dark and has this really sketchy feel to it. The animated movie felt like a half-assed attempt to clean it up and make it more polished for animation. It would have been better if they just veered away from the style completely and did it like, I dunno, Under the Red Hood or something. The animation itself was problematic as well, which at times felt like a motion comic rather than a cartoon.

I also cannot stand Batman's voice. Ben McKenzie does fine as Bruce Wayne, but his Batman voice gives Hayden Christensen's wooden acting in Star Wars a run for its money.

Really almost 100% panel-for-panel. Which is cool.

What I really enjoyed were Jim Gordon's parts. He's always been pretty likable, but Year One really shows the depth of his character.

source: forums.superherohype.com

Also really fangirled over Eliza Dushku as Selina Kyle and Grey DeLisle as Mrs. Barbara Gordon! Grey DeLisle has voiced almost every one of my favourite animated characters so it's always a thrill for me to find her in other cartoons.

So is it perfect? No, but story-wise it's faithful to the comic, which should be a prerequisite for any Bat-fan. Worth it especially for Jim Gordon and a peek at Selina in her Tim Sale Catwoman costume!



This review originally appears in Teluete's awesome blog, Gab Can Fly. Check it out.


A new vigilante shows up in Gotham under the guise of the Red Hood─an alter-ego previously used by a number of other thugs but most notably by the Joker. Unlike his predecessors, this Red Hood has started cleaning up Gotham. And unlike Batman, he doesn’t think twice about killing. Batman and Nightwing team up to find out who exactly is under the hood, and to stop him at all cost.

This is a little darker, and a little more violent, than their previous relases, but DC's strength for me really is in their animated features (as opposed to their live-action movies) and Under the Red Hood a pretty solid production .

The action sequences in this are nothing short of awesome. There are rooftop chases, explosions, gratuitous crashing through glass ceilings, and headshots all around.

Voice acting was top-notch and they've got some pretty well-known names in the cast. As someone who compares every other Batman voice actor to the Kevin Conroy, I thoroughly approve of Bruce Greenwood. He manages to stay in the same neighbourhood as Conroy without sounding like a copycat, and makes the role his own. Neil Patrick Harris as Nightwing, Jensen Ackles as Red Hood and Jason Isaacs as Ra’s Al Ghul─all amazing. John DiMaggio as the Joker was a little too Heath Ledger-ish for me, I would have preferred something a little more maniacal, but the script balanced it out well.

My only qualms are one, where’s all the blood? Fantastic, no holds barred fight scenes, but very little gore. Granted, I’ve never seen someone get beaten to death with a crowbar in real life, but I expected a lot more blood and, I dunno, facial swelling.

Two, is it just me or was this a little short? The plot and the characters were well played out; I didn’t find the progression jarring at all. But when the credits rolled, it felt lacking. Maybe an additional fight scene or two would have rounded it out?

All in all, it’s a pretty solid Batman story. It dwells heavily on loss and vengeance and just completely blows you away.

9.75/10
From all around, you might scrub upon "the return of the divine feminine". But that's not the reason I am writing in interest about women. I'm just seriously filling-in the void of the limited, non sexual encounters with them, including in the movies.

First stop is Famke Janssen... I can still remember the first time I saw her on the first of modern James Bond movies (with Pierce Brosnan) as an anti-Bond.



Juicy!

Flash-forward to─

100 Feet (2008)



Juicier still.

Down boy! Famke is just a tasty tip of the iceberg, but nonetheless appreciated. 100 Feet is about how ghosts of the past haunt and interfere with the living. You see, inanimate objects can record past experiences of the dead, and our attachment with both the object and subject will determine the intensity of such ghostly encounters. Famke's just take on a formidable turn , and I liked it how whoever chose which object to "rule them all"─other objects, so that I can say that if I do get married, I'll tie a little string around wife's...


Ain't that an easy puzzle, mate?!


Superman and Batman: Apocalypse (2010)

Although more of a Superman movie, this features Supergirl, Superman's cousin. Now, you might think we (or I) may be fiddling on childishness or too much fantasy. You might want to think again why we, as kids, did like comics in the first place.

Even then we can almost say, "This isn't for kids!" But we still read on.

And this movie isn't that different. It takes one to exactly why superheroes wear the suit, or the mask, or the alter ego. Or what entails when possessing tremendous power.

Here, Supergirl is fitted into the Justice League (JL) group. This is like, "disclosure" to Supergirl, or "Why even, ever, Supergirl?!?" Especially when viewed as Superman's only living, younger next-of-kin, like a younger sister; or like having Superman as your older, protective brother. Both are easily the most powerful team-up in the DC Universe. That is why Wonder Woman and Batman figure in this story, and further establishing the guild of JL.

I found this review, and when I saw that he got it right, I searched no further. He even suggested complementary titles :)

Supergirl thighs...


True Grit (2010)

I am just glad we watched both Superman and Batman and True Grit on DXM. Movies acquire a kind of "depth" and "meaning"... and that "felt experience", with DXM─"sacred-ness"; without which would have otherwise felt like just merely passing time.

But that does not mean these films won't stand out without the aid of such enhancers. The mark of a truly great film is that it cuts across boundaries, whether in normal or special types of awareness.

Movies exhibiting some grit, genuinely felt (lol):

In this film, we see how the Law of the Land may be executed by the parties concerned, and how it is met with force and resistance.

We can also see a filmic tradition that amounts to notable results (repeat partnerships) in the guise of actor Josh Brolin and directors the Coen brothers. Much like what we see with Michael Caine, Christian Bale, and director Christopher Nolan; or with Johnny Depp, Helena Bonham Carter, and director Tim Burton; or Hugo Weaving and the Wachowskis; or Russel Crowe and Ridley Scott─all of which achieved archival notoriety.


More!


Lastly, we see a young actress in character and wearing the mantle of "true grit", placing the stereotypical alpha male suit(s) in the periphery as (merely?) guardians of fair justice.

If your sons, or daughters, are confused tweens, or budding, fashionable metrosexuals, or (caution: grit ON) fatherless emos, then this film might just set them, or you, right on track.


Ratings:
100 Feet─6.5 of 10
Superman and Batman: Apocalypse─8/10
True Grit─9/10


http://veevr.com/videos/g87Y0jmA
http://www.megavideomovies.net/2010/04/watch-supermanbatman-public-enemies.html

Can't get enough of the Batman.

Warner Bros. already did a similar trick during the Matrix run. Somewhere between The Matrix and The Matrix Reloaded, they decided to release an animated project that would sort of "bridge" the two movies together. While it is obviously an attempt at making more money (I frown upon Hollywood's money-making mentality), it nonetheless satisfies the cravings of a Batman junkie.


This is a straight-to-DVD release, with six animated short features, all about the crime fighter with the pointy ears. The stories are dark and sinister, consistent with Christopher Nolan's reboot of the franchise, and their animation style is---what else---Japanese anime. We all know how much the Western world loves anime.

Kevin Conroy, whose voice you might recognize as that from the original Batman animated series, once again lends his vocal prowess as the billionaire in a bat suit, which quite frankly makes me feel at home, like I'm once again in familiar territory. Veteran voice actor Jason Marsden also appears, as several characters, true to his cartoon-voicing roots, and even CSI's Gary Dourdan also provides the voice of Gotham cop Crispus Allen.

Again, this video was released with a target audience clearly in mind: the anime fans, and the Batman fans. You'd be surprised how many there are out there.


Rating: Four stars.

Oh where to begin...

And you all thought Christopher Nolan can't tell a straight story. Apparently he can, as The Dark Knight follows a more linear narrative path than its predecessor.

Of course, the glory shouldn't all go to the director (where would he be without the actors?), and let me tell you that all of them were brilliant. All of them. So let's go through them one by one, as there are only a few of them anyway.

Christian Bale: Mr. Bale (who gives meaning to the word "man-crush") was the embodiment of what a billionaire playboy should be─cool, rich, and good-looking. And he fights crime too. But that Batman voice of his─you can justify it as Bruce Wayne's way of protecting his identity.

Gary Oldman: The ultimate team player. Gary Oldman knows how to pace his acting. For loud roles, he becomes wild and obnoxious; but for subtle roles, like soon-to-be Commissioner Gordon (spoiler warning!), he just blends in. No overacting, and no underacting either. Just perfect. A possible contender for the Acting Hall of Fame.

Aaron Eckhart: Again, excellent acting (did I mention how many great actors this film has?). Okay, everybody knows Harvey Dent will become the villain Two-Face, but I'm not spoiling anything. All I can say is that his transition from good to evil was well-portrayed. You'll finally understand where his hatred comes from.

Michael Caine: That's Sir Michael Caine to you. You would think that a knight would hog the spotlight, but if there is anything that Caine knows how to do, it's stay in the background. And he does it really well. Though of course you really can't get rid of that sophisticated British accent.

Morgan Freeman: Again, Morgan Freeman is just Morgan Freeman. Not really a bad actor, but somehow he will always be Morgan Freeman, on and off screen. Does that make any sense?

Heath Ledger: Last but definitely not the least, Heath Ledger delivers a performance worthy of an encore. He leaves us with a bang, at the top of his game, and no one should be allowed to top his role as the Joker, as it would be a desecration to his memory. I say let the Joker role die with him. Anyway, you will be so mesmerized by his performance that you'd even forget he was Heath Ledger. Every second of that guy's screen time is worth millions. May God bless his soul.

And finally, the women of Gotham─wait, there's only one. Ms. Maggie Gyllenhaal steps into the void created by Katie Holmes, who starred as the original Rachel Dawes. But honestly, I see no real impact that this character brings, aside from being the love interest of both Harvey Dent and Bruce Wayne. Which strongly suggests that Gotham might indeed be a man's world. My movie buddy in fact couldn't stop swooning over all the men─she swooned over Bale, Eckhart, Ledger, even Oldman. Which of course was nothing to how I swooned over Bruce Wayne.

Now story-wise, The Dark Knight might seem to be a tad too long, running two and a half hours. Quite noticeable is the denouement. The average movie-goer would expect the action to slide down at around the two-hour mark, but the prevalent theme is "Wait, there's more!" The action rises and falls, then rises again, then just when you think it'll fall, it rises again. A bit tiring for the average viewer, but again, the die-hard fans won't even notice it. But the title is very apt, as nothing comes close to the darkness painted by Nolan─for starters, we have a lot of deaths, and near-deaths (spoiler alert number two!), but the character of each and every individual in the story is totally fleshed out. They become real, and veer away from the realm of comic book superheroes to the real world.

A toast to Nolan, for a successful sequel. But we must all realize that the success of The Dark Knight would not have been achieved if it wasn't for the failure of its predecessors. Only by portraying Batman in several not-so-good adaptations does this franchise successfully reinvent itself.

Oh, and Christopher Nolan doesn't go linear all the way. He slips into his trademark non-linear style in the last ten minutes of the film. I guess he just can't help himself.


Rating: Five stars.
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