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*Random Thoughts is a new style of reviewing I'm trying out, so this blog can release reviews faster. In case you don't know, reviewing films is time-consuming, and I don't get paid to do this.

"My daddy drives a limo. And decapitates people."

•Great move for Stephen Merchant. Those who don't know him will be surprised to learn that he is one of the greatest comedic minds of the English-speaking world. He's the co-creator of The Office, and the creator and star of HBO's short-lived Hello Ladies. So seeing him in the non-comedic role of Caliban the albino mutant tracker is quite refreshing indeed.

•This is Marvel's most realistic movie to date. Like Batman Begins. Well, you could argue that Captain America: The Winter Soldier was realistic, but I think you got "realistic" confused with "dark and gritty". Of course mutants aren't real, but if they were, this film would probably depict it better than the stylized look and feel of the preceding films in the X-Men franchise.

•I thought Wolverine can't die. I thought his healing factor made him close to immortal, and that there's only a few ways he can actually be killed. So why is he dying in this movie? Adamantium poisoning? Okay, so his healing factor kept the adamantium poison at bay all this time? Sure, I'll buy that. But why did his healing factor fail in the first place?

•What I would've wanted was more of a back story. So this movie takes place in 2029, but how did they end up there? How did Logan get into the limousine business? How did Caliban and Professor X end up in Mexico? I mean, why Mexico? Also, there was no sign of a Mexican-American wall, so does that mean President Trump reneges on his promise to keep the Mexicans out? Or maybe he didn't get reelected? Or does that mean Trump gets impeached?

•Is there some sort of demand for characters like Eleven from Stranger Things? You know, the weird, creepy girl who's actually nice were it not for the circumstances in her life that forced her to become feared as a weapon? I mean, don't get me wrong, Dafne Keen gave a good performance as Laura, even if she spent most of her screen time in silence. She's got that rage-y angst down, and I'm not sure if she's hit puberty yet.

This is actually a very cool costume, in my opinion.

•At one point in the X-Men universe, Charles Xavier was the most powerful mutant in the world. What happened? How was he reduced to this withered old man that Hugh Jackman can carry up a flight of stairs? It seems the Professor is now suffering from Alzheimer's. It's kind of strange that a mind  as powerful as the Professor's can't fend off a mind-debilitating disease. I mean, if I had Charles Xavier's mind, I'd use it to command my cells to regenerate. But I guess that would be a tall order, seeing that he can't even command his legs to walk.

•Boyd Holbrook plays a bad guy in this film. I liked him in Narcos, where he plays a good agent with an even better moustache. Here in Logan, he plays Donald Pierce, the leader of the mutant-hunting gang known as the Reavers, and he sheds off his good guy-image while retaining his facial hair. No, Pierce is not a mutant. He's a cyborg who hates mutants.

•So who is that younger Wolverine? It's probably X-23. Wait, no–X-23 is Laura. This younger Logan is X-24. And to pull this off, director James Mangold utilised the method that's been growing in popularity and will probably be a game-changer in the future, despite the ethics controversy after Rogue One: A Star Wars Story. I'm talking about the use of digital actors. Yes, they used a digital Logan in this one. Actually, for the scenes they were together, sometimes it's X-24 that's CGI, and sometimes it's Old Man Logan. It's just so seamless, you don't know who's who. And that's really how it's supposed to be.

•I noticed that the scene on the highway had trailers/container vans that seemed to drive themselves. Are those for real? They just looked like huge boxes moving across the highway. And also, good job, Professor, for calming the horses down with your mental telepathy. That would make you a...drumroll... horse whisperer. Yeah, I know. That was forced.

•Those kids in North Dakota, are they the New Mutants? You know, because they're new (to the franchise), and they're mutants. But seriously, there's a comic line called The New Mutants. So how do we know these kids are the same New Mutants? Rictor. Yes, that young man who seems to be their leader. Actually, introducing these guys is a set-up to their upcoming spin-off movie. That's right. The New Mutants are getting their own film.

•So while setting the stage for the spin-off franchise, might as well introduce that spin-off's new villain, which would be Dr. Rice, played by Richard E. Grant. Although Dr. Rice plays second fiddle to Boyd Holbrook's main villain, he is by no means still despicable, and we'll probably get to see more of his villainy when the spin-off movie comes out.

"Wait, I haven't done a Rogue-Jean Grey threesome yet."



Logan. USA. 2017.



Original rating: 8.4/10
Not-so-comic book treatment: +0.1
Professor X's powerful seizures: +0.1
Dafne Keen's annoying voice: -0.1
Fat black kid with the power of electricity: +0.1
Logan's death: +0.1
Chrysler limo: +0.1

It seems a lot of people eagerly awaited the new Wolverine movie. It also seems that a lot of those people left the theaters quite disappointed. And I can think of three reasons why.

One reason for each claw.

DreamWorks

This, in my opinion, is the best computer-animated film I have seen so far. But why was it not nominated for an Academy Award, when this could clearly have given Pixar a run for its money?

DreamWorks
Jack Frost. No relation to Robert Frost.

Working Title/Cameron Mackintosh

The success of Les Misérables stems from the great directing of Tom Hooper. As a musical, it strays away from becoming merely a stage performance filmed on camera. Other movie musicals tend to be either “more movie than musical” or “more musical than movie”. Hooper’s Les Mis (yes, I get tired of typing the accented “é”), however, succeeds in becoming a perfect hybrid, becoming, in my opinion, a great example of musical cinema.

Working Title/Cameron Mackintosh
Nothing says "cinema" more than Russell Crowe's mug.

Some people question my ability to enjoy a film but still give it a low rating. This is one such film, and I shall explain why.

First, I enjoyed it. End of story. No, it wasn't a waste of money. Wolverine and I go way back. Like fifth grade. No, fourth grade. I've known about his powers and his adamantium skeleton even before I learned to play "More Than Words" on the guitar. So that's it.

And now, why I gave this film a low rating:

1. The opening credits were great, but that back-to-back pose that Logan and Victor did...I mean, Liev Schreiber could've toned down his pose a bit. Just a little bit. And I don't know how to pronounce Liev Schreiber's name. Whenver I talk about him, I refer to him as "that guy from The Manchurian Candidate and Defiance."

2. It's pretty annoying to see Victor (the future Sabertooth) mounting an attack like a jungle cat. The motion is too---how do you say it---unreal. I could actually tell that they did that with bungee cords. I've also made a mental note that to pull that off realistically without resorting to CGI would be to shoot it in Zero G. You know, that zero-gravity aircraft that they train astronauts in. Bungee cords just won't cut it for some types of motions.

3. That scene where there were two cars blocking the road, and Logan's girlfriend did this I-can-control-your-mind-when-I-touch-you thing? Two words: TOO CONTRIVED. The screenwriters could've done better. But then again, screenwriting is hard work. Sorry.

4. Patrick Stewart's makeup was freaky. It was supposed to make him look like Professor X thirty years younger or something, but the result: Failed! Like they injected his face with Botox. Ugh. Why couldn't they do it properly like Benjamin Button?

5. They seem to have made this film for women. Check out the score: Poster boys: four (that's Hugh Jackman, Taylor Kitsch, Daniel Henney, and Ryan Reynolds); hot girls: one (Logan's girlfriend). That's it. Boo.

6. And finally, we all know Wolverine loses his memory somehow, yet how does it really happen? Adamantium bullets to the head. Based on the flimsy theory that a brain concussion may not kill him, but it sure as hell would erase his memory. Lame-O!

So there you have it. It was a superb superhero flick. Makes me want to wait for X-Men Origins: Magneto. Or so I've been told that would be next on the Origins list.


*some info from IMDb
pic from thecia.com.au


X-Men Origins: Wolverine. USA. 2009.


Rating: Six and a half out of ten.



You may also want to read other X-Men reviews such as X-Men: First Class.

The prestige. The turn. The pledge. Those are the parts of a magic trick---in reverse.

And that is how director Christopher Nolan tells this story. In reverse. Well, not exactly in reverse, but definitely not in a linear fashion. This is of course Nolan's style, from Memento to Batman Begins, and he has become very good at it.

Adapted from the novel by Christopher Priest, this film follows the struggle of two of the top magicians in Victorian England. You have two great actors pitted against one another, Hugh Jackman as Robert Angier against Christian Bale as Alfred Borden, and the characterization is so effective that sometimes you don't know who to root for. But I of course rooted for Mr. Bale all the way.

The supporting actors are equally important, with Michael Caine as the "ingenieur" (such a sexy-sounding French word), once again reunited with Bale and Nolan after Batman Begins. Incidentally, the film has the same dark look from Batman Begins because even the cinematographer is back on Nolan's team. Andy Serkis is as un-Gollum like as ever, while David Bowie as Tesla all but steals the show away.

Of course, the ladies do a good job as well, with Piper Perabo's short screen time as Angier's wife, and Scarlett Johansson as the assistant Olivia. But the best female performance for me came from Rebecca Hall, who played Mrs. Borden. Her transformation throughout the film is very effective, and is so realistic that the audience may take it for granted.

And finally, just like a great magic trick, Christopher Nolan pulls a fast one. The storytelling is in itself a magic trick. There's the plot twist, then the other plot twist, and you go, "Wow." I remember watching this film in the theater when it came out. At first I wanted to see it because of Christian Bale, but after leaving the theater, I felt---how do you put it---entertained. This is genuine entertainment, and worth every cent you paid for. Just like a real magic trick.


Rating: Five stars.

See also: The Acting Hall of Fame.
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