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Podrace sa Tatooine. Joke lang.

Matagal na ang kwento ni Ben-Hur. Ang source material nito ay ang nobelang Ben-Hur: A Tale of the Christ ni Lew Wallace noong 1880, at mula noon ay nagkaroon ng maraming cinematic adaptation. Ang pinakasikat nito ay 'yung Ben-Hur noong 1959 starring Charlton Heston na nanalo ng Oscar para sa performance niya rito. Kaya sa mga nalilito pa rin, fictional po si Ben-Hur. Hindi po siya historical figure.

Wala namang problema ang pelikulang ito story-wise, kasi nga ito ay pang-ilang remake na ng isang sikat na nobela noong turn of the 20th century. The fact na nakailang remake na ito ay proof na maganda ang kwentong ito, so palakpakan natin si Lew Wallace. Siguro kung may isang problema sa kwento, ito ay ang kakulangan sa exposition ng sitwasyon sa Jerusalem noon. Hindi naman kasi lahat ng manonood nito ay Kristiyano, kaya mas mainam sana kung mas naipaliwanag pa nila ito. Although hindi ko pa nababasa ang libro ni Wallace, sa tingin ko mas malaki ang part ni Jesus Christ sa kwento, kaya nga "A Tale of the Christ" ang subtitle ng libro e. Siguro kung mas nadagdagan pa ang bahagi ni Rodrigo Santoro as Jesus, at kung ang Jesus scenes ay naitahi nang maayos sa main narrative, baka mas nasiyahan pa ang mga critics.

Pa-gwapuhan ang labanan ng mga Jesus Christ sa Hollywood.

Performance-wise, maayos naman ang pinakita ni Jack Huston bilang Judah Ben-Hur (literal translation: Judah, anak ni Hur). Maalala niyo siya bilang hitman na kalahati ang mukha sa TV show na Boardwalk Empire, kung saan ang acting niya ay subtle pero very effective. Dito, ayos naman ang acting niya. He doesn't shine, but he delivers. Si Toby Kebbell, on the other hand, ay magaling. Bilang adopted brother at future rival ni Judah, nakuha niya ang effective villainy, 'yung may transformation pa mula mabait hanggang masama, at kung saan ang kasamaan niya ay hindi niya sinasadya at napilit lang sa kanya.

Sa anggulong ito, medyo kamukha niya 'yung character niya sa Warcraft.

Meanwhile, si Morgan Freeman naman ay typical Morgan Freeman. Masungit pero mabait na old man ang tipong role na swak na swak sa kanya. Halatang sinulit ng producers ang talent fee niya, dahil maririnig sa simula ng pelikula ang boses niya bilang voice-over narration. Nakaka-distract lang ang close-up shots niya, dahil nakikita ko ang mga nunal niya sa mukha na parang monggo bread. Tsaka 'yung dreadlocks, diyos ko po. Parang mop. Pekeng-peke at nakaka-distract.

"Ano ba problema? Hindi ba bagay sa akin ang rasta look?"

Wala rin namang problema sa direksiyon ni Timur Bekmambetov, na kung naaalala niyo ay siya ring nag-direct ng Wanted. Si Bekmambetov ay magaling sa mga action sequence, kaya naman ang sikat na chariot race sequence sa huli ay sobrang nakakadala. Pero honestly, sayang naman ang directing prowess ni Bekmambetov kung another remake lang ang gagawin niya.

Sa palagay ko, the world doesn't need another Ben-Hur movie. Kung gusto ng Hollywood ng mas marami pang sword-and-sandal epics, marami pang magagandang kwento sa Bible na hindi pa naisasa-pelikula. Pero para sa mga kabataan ngayon, dapat niyo nga itong panoorin kung ang kilala niyo lang na Ben-Hur ay si Ben-Hur Abalos.

Hmmm... cross? Okay, gets.




Ben-Hur. USA. 2016.



Original na rating: 7/10
Walang Ayelet Zurer nudity: -0.1
Walang Nazanin Boniadi nudity: -0.1
Chariot race sequence: +0.1
Naval battle sequence: +0.1
Dreadlocks ni Morgan Freeman: -0.1
Kagwapuhan ni Rodrigo Santoro: -0.1
Final na rating: 6.8/10
20th Century Fox

This film is based on a novel of the same title, except for the punctuation mark. The novel is called Abraham Lincoln, Vampire Hunter. With a comma. The movie is called Abraham Lincoln: Vampire Hunter. With a colon.

20th Century Fox
"All that fuss over punctuation? Tsk tsk."


This may be one of the most visually refreshing movies to ever come out this year.

That's because Wanted is directed by Russian director, Timur Bekmambetov, who brought his European style of fast-paced filmmaking to give Wanted its extra jolt.


The film is paced in the same adrenaline-rush pace that strenuous physical activity, such as an assassination attempt, actually gives. No part of the movie will slow down enough for you to leave your seat and go to the restroom. And some girls should be happy to get their fill of James McAvoy, whose screen time encompasses probably ninety-five percent of the whole film.

James McAvoy gives an excellent performance, and you can actually see and feel his transition from accountant to assassin. Angelina Jolie, for the first time, I believe, shows her body without concealing any of her real-life tattoos. I guess this should make her assassin look more credible, but tattoos or no tattoos, she will always be a credible assassin after Mr. and Mrs. Smith. Thomas Kretschmann plays the elusive Cross, whose character plays a major part in the narrative, and yet gets very little screen time. Morgan Freeman, as the villainous Sloan, is still, well, Morgan Freeman. Even when he played God in Bruce Almighty, he was still Morgan Freeman. He rarely, if ever, changes his acting style.

The film is filled with almost impossible action sequences, which would give the Mythbusters a field day. Curving bullets, flipping cars, blocking a bullet with another bullet---these are of course products of the film's comic roots. Anyway, the film is carried by McAvoy and Timur Bekmambetov's master storytelling, as the director makes sure that from the start, your disbelief has been suspended.

I watched the film having no expectations, and no idea of what the movie was about. And when I left the theater, all I could think of was becoming an assassin. As did the other viewers, who kept pointing invisible guns, trying to curve invisible bullets.


Rating: Five stars.
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