Bolt

The business of computer animation seems to be a very lucrative one indeed, which is why Disney tries so hard to establish its own animation arm that will rival, if not surpass, Pixar. Good luck.

These are what I have to say about the film:

• Bolt is cute. I don't know what breed he is.
• Mittens the cat is scrawny.
• Rhino the hamster is the cutest.

Somehow, you can always tell if a film is a non-Pixar film. It's in the story. But in this film, the similarities with Pixar stories are quite noticeable. That's because John Lasseter (the same Lasseter from Pixar) is the head honcho for Bolt. So if another guy from Pixar heads off to Dreamworks, then it's bye-bye to Pixar's monopoly of quality computer-animated flicks.

Still, only Pixar can pull off a blockbuster hit without using celebrity voices. Bolt however, relies heavily on their star-studded voice cast, with John Travolta (as the dog) and Miley Cyrus as the cutesie dog owner. Oh, there's also a voice cameo by wrestling legend Randy Savage. But I'll bet none of the youngsters today even know who he is.

This film, by the way, was released by Disney. I don't know why I kept saying Pixar.


Bolt. USA. 2008.

Rating: Seven out of ten.

Clubbed

British cinema starts off 2009 with a smart drama. The poster advertises it as "Trainspotting all over again," but that's just advertising crap. It's nothing like Trainspotting.

Clubbed tells the story of Danny, a dad of two separated from his family, his introduction to the world of club bouncers, and his eventual involvement in the dark side of his profession. The whole film centers around Danny's struggle, and I would like to congratulate the casting people for making an excellent choice. Mel Raido's portrayal of Danny, complete with all the bottled-up angst, is undoubtedly the film's selling point. Colin Salmon, possibly the only familiar face in the movie, does a great job too as the boxer-by-day-bouncer-by-night Louis, but still, Mel Raido outshines them all.

The title, I believe, is a play on "club," which is where these guys moonlight as bouncers, and possibly "club" as in to club someone to death (there are quite a few scenes of clubbings on the head). But whatever it is, it does not resemble Trainspotting at all.


Clubbed. UK. 2009.

Rating: Seven out of ten.

The Prodigy. Invaders Must Die

"We are The Prodigy."

What a way to start an album. As if we've forgotten.

Well it seems that fans have indeed forgotten, since their last studio album Always Outnumbered, Never Outgunned left us in limbo. What sound would The Prodigy come up with next? Most critics have found AONO to be a bit too commercial, relying more on the repetitive synths and celebrity vocals than on the heavy drum and bass. I actually agree with them, save for the exception of a few tracks like "Spitfire," which remained true to the original Prodigy sound.

The Prodigy seems to be the Daniel Day-Lewis of electronica, with several years in-between their works, letting the public starve first before making their comeback. This time, though, Invaders Must Die shows us that The Prodigy is far from extinct; they were simply undecided as to what musical path to take. Invaders Must Die is their first studio album to feature all three band members (the great Liam Howlett, the crazy Keith Flint, and Maxim Reality) since The Fat of the Land, more than ten years ago. And they did indeed bring back their roots, showcasing their new sound as a a resurrection of 90s hardcore rave, complete with the heavy guitar riffs and headbanging beats.

Notable tracks of course are the title track "Invaders Must Die," "Run with the Wolves" and the trippy "Stand Up" (both featuring Dave Grohl on drums), and the distinctly old-school "Warrior's Dance." Just be careful when playing this in your car at night, you might get pulled over and searched for ecstasy.


Rating: Eight and a half over ten.

Watchmen

Sorry, fans. I never read the comic book, and I didn't like the movie.

It was eye candy, no doubt about that. With Zack Snyder at the helm, you can expect a real visual treat. But somehow the story just doesn't cut it.

The first rule in film adaptation is that someone without prior knowledge of the adapted material should still be able to appreciate the story. The adaptation should stand alone. That said, screenwriters David Hayter and Alex Tse should take the blame. Yes, I know people said that the comic book was unfilmable, but they said the same thing about Lord of the Rings, and look what Peter Jackson was able to pull off. Some screenplays take decades to write; all it requires is effort and a lot of creativity.

Well, there's the sexy Malin Åkerman, anyway, who kept my mind preoccupied most of the time. I love her hair. It looks good on her. Some things kept bothering me though, like why does Rorschach's mask keep changing all the time? Yes I know it's a reference to the Rorshach inkblot test, but why? Why does his mask do it, but not his face? Is it some kind of special mask? They never bothered to explain it.

Another thing that bothered me was the fact that they cut out a lot of shots in the lovemaking scene (another demented decision by the Philippine censors). They already gave it an R-18 rating, and they've been showing Dr. Manhattan's penis dangling all the time, so why did they even bother shortening the love scenes? It's not like there would be children in the audience, what with all the free-flowing blood and gore.

Anyway, this is my opinion, and go see it for yourself if you're a fan of the comic book. But like I said, a great adaptation should stand alone, and this film is not too friendly with people who have no idea about the comic book whatsoever.



Watchmen. UK. 2009.

Rating: Six out of ten.

Eraserheads Live! The Final Set

Lesson learned: Never be late for a concert. (In fact, never be late for anything.)

Well, with literally last-minute free tickets, who am I to argue, right?

For those who want to know which songs they actually played:

First set:

• Magasin
• Walang Nagbago
• Maling Akala
• Maskara
• Poor Man's Grave
• Waiting for the Bus
• Huwag Mo Nang Itanong (reggae version by Marcus)
• Slow / Slo Mo
• Alkohol
• Insomnia
• Torpedo

Second set (acoustic version for the first six songs):

• Minsan
  
• Julie Tearjerky
• Halika Tikman ang Langit
• Wishing Wells
• Fine Time
• Pare Ko
• Kailan
• Back2Me
• Trip to Jerusalem
• Spoliarium
• Overdrive

Encore:

• Superproxy
• Alapaap
• Kaleidoscope World/Ang Huling El Bimbo

After the encore, we already left the concert grounds. Then before we knew it, the four were back onstage, and they did a second encore.

• Ligaya
• Sembreak
• Toyang

How could we have known there would be a second encore?! They've already rained confetti on the audience, and they've already set off the fireworks, I mean, come on!

Second lesson learned: Never leave a concert prematurely. Especially one this big.


Live but incomplete blow-by-blow here.

Pinoy Icons: Francis M

The whole nation mourns the passing of one of the great icons of Filipino music.

So instead of writing about how much Francis "Kiko" Magalona a.k.a. Francis M, has contributed to Filipino rap (you can find that on Wikipedia anyway), let me write about concrete experiences in my life where Francis M was involved. This will, however, reveal my age, but it matters not anymore, as we are all headed to the grave anyway.

In fourth grade, I did the "pineapple cut" once, less than a week after Francis M first sported it on national TV. For those of you who don't know what the pineapple cut is, it's a US marine-jarhead-type haircut, with the back and the sides of your head shaved in a criss-cross pattern, literally like a pineapple. My friends laughed at me back then, but I didn't care. Then the following week, three of them followed suit, but by that time my hair was already growing back, so I wasn't the cool one anymore.

Our school bus conductor, Rick, taught me (and the other rascals in our school bus) the proper way to rap "Mga Kabababayan." This included proper breathing, and where to pause to catch your breath.

One of the most popular rivalries in the 90s was Hip-Hop vs. Metal. Francis M and the Eraserheads were possibly the first musicians to try and bridge this gap through musical collaborations.

Musical genres for me were shattered with the release of the song "Kaleidoscope World." This made me appreciate the fact that the highest level of musical artistry is the ability to cross genres while retaining your fan base.

Let me just make it clear that Filipino music in the 90s was not dominated by the Eraserheads, nor by the other emerging rock acts back then. Francis M carved out a niche for Filipino rap, and along with Andrew E, paved the way for Filipino rap to blossom into what it is now. For being a pioneer, I salute Francis M, and I pray for our dearly departed comrade, who has now joined that big jam session in the sky.


Francis Magalona. 1964-2009.

Grand Theft Auto IV

Still the best game ever created.

By now, people should already be familiar with the GTA franchise, it being one of the most popular games of this generation. If you especially loved Vice City and San Andreas, this one is basically the same, except for a few minor differences:

• The setting is present-day New York (but they insist on calling it Liberty City);
• The protagonist is now an Eastern European war veteran named Niko Bellic (check out that gangster mug);
• Automobile physics are more realistic (you could get thrown out of the car windshield);
• The weather now includes (very realistic) fog;
• Cars are now equipped with GPS (because real men don't ask for directions);
• There are more radio stations, which now play their songs randomly (it used to be played in a single loop);
• Niko Bellic has a cellphone (capable of sending text messages as well);
• The voice actors are no longer big-name stars (recession?).

That said, it is still essentially the same GTA game format as before, only slightly better. And it makes you wonder when they'll make the GTA movie. Hopefully next year? Who knows.


Rating: Ten stars.

Coldplay's "Life in Technicolor ii"

Oh, Coldplay, you continue to amaze me.

If you don't like Coldplay, then maybe you'll like the video.



For the extremely funny video, you've got to give credit where credit is due. So to the video team (which may or may not include the band members), let me just say that I loved the video. Immensely.


Video from: Parlophone

Gran Torino

Gran Torino

From the posters and from the ads, one would think that Gran Torino would be a solemn, action-packed film filled with one-liners designed to make the knees of an enemy shake and admit defeat even before the shot is fired. This is, after all, Clint Eastwood. Dirty Harry, the Unforgiven. These movies created this persona that Eastwood has now that he will shoot every person who violates his law and then sit back and have a beer two minutes after. This image is as important to the film Gran Torino as everything else that you actually see in the film. The film works because he was Dirty Harry before and carries that image into this movie.

Given that, Gran Torino is one of the funniest movies I have seen in years. Eastwood has always had a knack for one-liners and now, when it is put into a different context, it’s just funny as hell. Let me explain.

The story is about an old-timer American war veteran who is a product of the yesteryear’s upbringing both good and bad. Children should be respectful to elders and should dress decently. Old men know more than young people and there are no two ways about it. He is also estranged from his idiot of a family who knows nothing about caring for him. Additionally, this point of view and his time as a soldier fighting in the Korean War has enforced in him racial stereotyping. He hates the fact that foreigners now live in the US, particularly his own neighborhood which has now been taken over by Asians and Mexicans. After an incident that made him into a hero to the Asian community in the neighborhood, he is befriended by the next door neighbors and becomes a mentor to a young Asian kid who lives there.

Kowalski (Eastwood) kept using racial taunts against the people around him throughout the movie and it got funnier and funnier especially when they are no longer really used as a taunt but as a tease on his now best-friends. He softens up in time and teaches the young kid how to be a man. These scenes are poignant and heartwarming without being overly dramatic and sappy.

A lot of people believe that Gran Torino should have been nominated for an Oscar and I firmly believe that it should not. The biggest reason for this is the Godawful supporting cast that surrounded Eastwood. Note to Hollywood: There are a lot of good Asian actors out there. As good as Eastwood is, you will cringe every time he talks to one of his cast members. With the sole exception of Ahney Ler who played Sue Lor, the sister of the boy he is mentoring, the rest of the cast should not be allowed to act ever again. Watching them with Eastwood is like watching a great ballroom dancer with a wooden stool with two broken legs as a partner. It was so bad that the subtitles do not even seem to match the acting and the words they are saying.

Gran Torino is worth watching if only because it is supposedly Eastwood’s last film as an actor. He was great, no doubt about it. But I almost wanted to shoot the supporting cast, Dirty Harry-style.

Rating: 8 out of 10

Taken

And who thought Liam Neeson couldn't carry an action flick...

Taken isn't your run-of-the-mill action movie. Well, of course, there are similarities with the typical spy-action thrillers like the Bourne franchise. For one thing, it's set in Europe. Somehow, the best spy chases are always set in Europe. And then there's fight scenes, car chases, and more fight scenes.

What makes Taken different from the rest of them is Liam Neeson. Yes, he is actually director Pierre Morel's secret weapon, as the fight scenes in this movie are actually more realistic because of Mr. Neeson. Let me put it this way: the fight scenes in this film are more...brutal. You have Liam just giving one of the villains a chop in the windpipe, another a twist on the neck. In short, his fighting arsenal is composed of the same moves a retired spy actually has. And only a personal search for a kidnapped daughter will actually draw a spy out of retirement.

Liam Neeson gives a really great physical performance, and for those of you who thought he was growing old, you thought wrong. Mr. Neeson is as fit as a Jedi master. Famke Janssen, on the other hand, does nothing more than grace the screen with her pretty face. And she is noticeably older than we remember her from her Jean Grey days.

From a simple plot to complicated action sequences, master storyteller Luc Besson does it again (the screenplay was co-written with Robert Mark Kamen). Taken is sure to keep Besson fans entertained, as well as eagerly anticipating what movie he has next up his sleeve.


Taken. France. 2008.

Rating: Seven out of ten.