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Yes, Scamander's suitcase is like the TARDIS.

Thank you, J.K. Rowling. For a lot of things.

While a part of the movie-going populace laments the lack of original screenplays in Hollywood, you have given us something new with Fantastic Beasts and Where to Find Them. Well, it's not wholly original in the sense that Inception and Interstellar were original; I meant original in the sense that this wasn't adapted from any existing literary material. Technically, this movie would be classified as a spin-off, very (very) loosely based on the book of the same title released as part of Comic Relief in 2001, which was basically you bringing one of Harry Potter's fictional textbooks to life. I guess an original spin-off is way better than an adapted screenplay.

Cover of the original Comic Relief book.

Thank you for bringing magic across the pond to America. Your skill in creating a solid fictional universe is unparalleled, rivalled only by maybe George Lucas. I think Fantastic Beasts is more than just a mere spin-off. It's like a break-away religion that has taken a life of its own, and after the five movies you promised, the American wizarding world could be even bigger and more complex than the one in Britain.

"Honestly, I'm not happy that I won't be back for the sequels."

Thank you also for the great casting choices. Much like you had a hand in casting Daniel Radcliffe as Harry Potter, I'm sure you also had the final say in the casting of Fantastic Beasts. Eddie Redmayne seems perfect as the bumbling magizoologist who's like a duck out of water, although I wonder if Matt Smith could have played the role with equal brilliance. Colin Farrell is spot-on, if only because the Fantastic Beasts and Where to Find Them screenplay describes his character Percival Graves as "very handsome, early middle age". Alison Sudol also gave a very convincing performance as the blonde bimbo American witch Queenie Goldstein, and I'm rather interested in how her skill in Legilimency will play out throughout the franchise. Johnny Depp as Gellert Grindelwald was surprising (I had no idea coming into the cinema), and I hope his future performances as Grindelwald show no trace of Captain Jack Sparrow, a role he has a habit of falling back on. My most favourite character in this movie, however, is the Muggle No-Maj Jacob Kowalski, played by Dan Fogler, an actor I liked since Balls of Fury and Fanboys. He serves as the audience's anchor point for this franchise, someone non-magical folk can relate to, much like Harry Potter was the anchor point for the previous franchise.

I mean, come on, look at Kowalski's face. 

Thank you, Ms. Rowling, for your hyperactive imagination. These beasts you conjure from your imagination are awesome, although almost of these creatures have already made their debut in the Comic Relief book. The niffler is so adorable, although of course I wouldn't want to have a kleptomaniac for a pet. The demiguise still has the most awesome ability of them all – invisibility. The erumpent is just too big to be allowed, even in Scamander's TARDIS-like suitcase (bigger on the inside). And the thunderbird, oh what a glorious beast. Thank you also for designing the sorting test for Ilvermorny, because I took the test and got House Thunderbird.

Now isn't that a majestic creature?

And finally, thank you for ensuring that all screenplays of Newt Scamander's franchise will be penned by you. What better way to preserve the voice and feel of the original wizarding world we all grew up with. I eagerly await the second film in this series with as much anticipation as I had waiting for the Harry Potter books to come out.

"Bravo, Jo Rowling. Bravo."



Fantastic Beasts and Where to Find Them. UK/USA. 2016.



Original rating: 8.1/10
Gemma Chan as Madam Ya Zhou: +0.1
Dan Fogler as Jacob Kowalski: +0.1
The niffler: +0.1
No wizard-on-no-maj sex: -0.1
Johnny Depp as Gellert Grindelwald: +0.1
Jon Voight not playing a wizard: -0.1
Ezra Miller's weirdly nice face: +0.1
Ron Perlman looking like Gnarlak: +0.1
Pacing of screenplay: -0.1
Final rating: 8.4/10

Let's get two things out of the way first: I am a huge fan of the books, and no, I don't expect movie adaptations to be 100% faithful.

That being said, this movie was terrible. I don't understand how you can screw this up.

You've got great source material and a great cast (Nathan Fillion, Stanley Tucci, that guy who played Giles in Buffy, and the voice of Ron Perlman), so how?

YouTube

Despite Pacific Rim not being shot in IMAX or 3D, my biggest regret is not watching this in IMAX 3D.

"Why didn't you?"


This movie is a bit heavy. And they killed Christina Hendricks with a shotgun to the head. No sex scene, and early death. Brilliant.

Anyone this pretty should have a sex scene.

You'd think that this movie is all about driving cars. You know, like Fast and Furious, or something like that. And it doesn't help that the font used in the opening credits looks like it was taken from Grand Theft Auto: Vice City.

Even the color is like Vice City: pink.

Yes, Ryan Gosling plays a driver, who is so good at what he does (aren't they all?). And yes, there are some car chase sequences that are adrenaline-pumping without being too stylized. But the car scenes are just a small fraction of what the film is about. This is more of a gangster flick. And who better to play gangsters than Ron Perlman and Albert Brooks? Wait, that's Albert Brooks the comedian, right? As a gangster? Well, it was pretty effective, anyway.

"Do I look like a comedian to you?"

Congratulations, Carey Mulligan. You've made it to Hollywood. And that's because you can do a decent American accent.

I think I like her better as a brunette.

They said this was an Oscar-buzz flick. Although I'm not sure if it's for Best Picture, Best Actress for Carey Mulligan (unlikely), Best Actor for Ryan Gosling (possible), or Best Supporting Actor for Albert Brooks (most likely). Although I'm betting it's on Best Sound Design. Great use of sound, which added to the already-suspenseful plot. The soundtrack was a bit retro, but I'm pretty sure this wasn't set in the eighties.


Drive. USA. 2011.


Rating: Eight out of ten.



*some info from IMDb
pics from VLC

It's not true that everybody in the world wants to be white. There's this saying that Asians want to be Black. But apparently, Blacks also want to be Asians. Yeah, they love Bruce Lee, Voltron, and geishas. And then we get a TV show like this.

1. "Number Two"

"Yeah, I know. My headband is quite long."

Anime. With a black guy. Lots of blood. And gore. And music by The RZA. That's right. The Wu-Tang RZA. Who again displays his love for everything Eastern by doing the music for a cartoon about a black samurai. Obviously a dream come true for him.

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