*Random Thoughts is a new style of reviewing we're trying out, so this blog can release reviews faster. In case you don't know, reviewing films is time-consuming, and I don't get paid to do this.
•I am a sucker for biopics. There's just something about stories that you know are true. Although I know filmmakers are notorious for taking creative liberties, but still, biopics are possibly the only exception to the general rule that "books are better than movies".
•The real gem here is that this story was hidden. But why did they hide it in the first place? This is truly a phenomenal story, told with the backdrop of race and gender segregation. And the best part is, there's three women being honoured here: a brilliant mathematician, an excellent engineer, and and awesome programmer.
•We seem to have forgotten about Kevin Costner. Why do I feel like it's been a long time since I saw him on the big screen? Oh, wait... he was in the Superman reboot. But this feels like the first time in a while since he really showcased his acting skills.
•Was NASA really the first to segregate restrooms? If they were, then bravo. Apparently, the only thing that can rid America of racism is the space race. Good job, Kevin Costner, for swinging that sledgehammer.
•Speaking of restrooms... that Taraji P. Henson monologue, though. The one about restrooms. That's a guaranteed Oscar clip right there.
•And speaking of great speeches, Mary Jackson (Janelle Monáe)'s court speech is awesome. Yes, being first is important. Landmark cases always go down in history, as well as the landmark decisions that turn the tide.
•Nice soundtrack. Kind of sounds like Pharrell. But probably not. I think this is '60s music. It really sounds like Pharrell, though. Shouldn't they be using music from the decade? Okay, let me just wait for the end credits. Oh, it's actually Pharrell. With Hans Zimmer. Again.
•Ah, single mothers... you can't help but appreciate their strength. They can withstand a lot. How about couloured single mothers? Wait, how about... coloured single mothers in the 1960s? These women are probably the strongest human beings in the world.
•There's an awesome line from astronaut John Glenn (Glen Powell) that best sums up this entire film. "Let's get the girl to check the numbers... the smart one. And if she says they're good, I'm ready to go." He didn't say "the black one" or "the coloured one". He said "the smart one". Race has nothing to do with the numbers. But it's nice to know that a white man would not launch until a coloured woman verified the math. Sweet.
•I wonder if this will be like another Top Gun. The year that film came out, applications for the Air Force significantly increased. I wonder if Hidden Figures will also spark a sudden interest in mathematics and aeronautics in the coloured community. Or maybe in the United States in general. Is it still right to use the word "coloured" in this day and age?
•I'm happy about Jim Parsons. His lanky physique and geeky manner of speech has forever pegged him as the ultimate dork, no thanks to The Big Bang Theory. I thought he'd be forever shoehorned into roles like that. Glad this film was able to bring out the despicable side of him. He's still not super-villain material, though. Just super-douche material.
•In the past, "computer" was a title for a person. Like "accountant", or "chef". Nowadays, it seems really weird to call a person a computer, because we've reduced computer to a machine. Oh, how time flies.
Hidden Figures. USA. 2016.
Original rating: 7.7/10
Octavia Spencer's bitchiness: +0.1
Downplaying Kirsten Dunst: +0.1
Soundtrack: +0.1
Final rating: 8.0/10
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| Spot the hidden figure. Clue: she's not wearing white. |
•I am a sucker for biopics. There's just something about stories that you know are true. Although I know filmmakers are notorious for taking creative liberties, but still, biopics are possibly the only exception to the general rule that "books are better than movies".
•The real gem here is that this story was hidden. But why did they hide it in the first place? This is truly a phenomenal story, told with the backdrop of race and gender segregation. And the best part is, there's three women being honoured here: a brilliant mathematician, an excellent engineer, and and awesome programmer.
•We seem to have forgotten about Kevin Costner. Why do I feel like it's been a long time since I saw him on the big screen? Oh, wait... he was in the Superman reboot. But this feels like the first time in a while since he really showcased his acting skills.
•Was NASA really the first to segregate restrooms? If they were, then bravo. Apparently, the only thing that can rid America of racism is the space race. Good job, Kevin Costner, for swinging that sledgehammer.
•Speaking of restrooms... that Taraji P. Henson monologue, though. The one about restrooms. That's a guaranteed Oscar clip right there.
•And speaking of great speeches, Mary Jackson (Janelle Monáe)'s court speech is awesome. Yes, being first is important. Landmark cases always go down in history, as well as the landmark decisions that turn the tide.
•Nice soundtrack. Kind of sounds like Pharrell. But probably not. I think this is '60s music. It really sounds like Pharrell, though. Shouldn't they be using music from the decade? Okay, let me just wait for the end credits. Oh, it's actually Pharrell. With Hans Zimmer. Again.
•Ah, single mothers... you can't help but appreciate their strength. They can withstand a lot. How about couloured single mothers? Wait, how about... coloured single mothers in the 1960s? These women are probably the strongest human beings in the world.
•There's an awesome line from astronaut John Glenn (Glen Powell) that best sums up this entire film. "Let's get the girl to check the numbers... the smart one. And if she says they're good, I'm ready to go." He didn't say "the black one" or "the coloured one". He said "the smart one". Race has nothing to do with the numbers. But it's nice to know that a white man would not launch until a coloured woman verified the math. Sweet.
•I wonder if this will be like another Top Gun. The year that film came out, applications for the Air Force significantly increased. I wonder if Hidden Figures will also spark a sudden interest in mathematics and aeronautics in the coloured community. Or maybe in the United States in general. Is it still right to use the word "coloured" in this day and age?
•I'm happy about Jim Parsons. His lanky physique and geeky manner of speech has forever pegged him as the ultimate dork, no thanks to The Big Bang Theory. I thought he'd be forever shoehorned into roles like that. Glad this film was able to bring out the despicable side of him. He's still not super-villain material, though. Just super-douche material.
•In the past, "computer" was a title for a person. Like "accountant", or "chef". Nowadays, it seems really weird to call a person a computer, because we've reduced computer to a machine. Oh, how time flies.
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"Are you a Windows or a Mac?" "Are you Captain America?" |
Hidden Figures. USA. 2016.
Original rating: 7.7/10
Octavia Spencer's bitchiness: +0.1
Downplaying Kirsten Dunst: +0.1
Soundtrack: +0.1
Final rating: 8.0/10
