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Graffiti sa tren. New York na New York.

Noong makita niyo ang promotional materials para sa The Get Down, malamang pareho tayo ng naisip: Oh, a show about hip-hop? Malamang parang Empire lang 'to, pero set in the 70s. Well actually, medyo parang Empire siya, pero hindi rin.

Siyempre, dahil si Baz Luhrmann ang co-creator nito, alam mo na more or less kung ano ang ie-expect. Malaking production ito, tulad ng ibang Baz Luhrmann films na Romeo + Juliet at Moulin Rouge, The Great Gatsby, at Australia. Sinasabi nga na ang The Get Down ay ang most expensive show ng Netflix, at one of the most expensive shows ever produced for television. At dahil si Luhrmann din ang co-writer at director ng pilot, na-set na niya ang standard para sa buong series.

Maganda ang production design ng series, at kasama na rito siyempre ang costume designs. Straight out of the 70s, lalo na ang graffiti sa mga pader ng Bronx, ang red Puma sneakers ni Shaolin Fantastic (Shameik Moore), ang afros nina Ezekiel (Justice Smith) at Dizzee (Jaden Smith, na uncredited, surprisingly), at ang disco costume ni Cadillac (Yahya Abdul-Mateen II).

Hindi ko lang alam kung totoong footage of old school New York ang ibang eksena na ginagamit pang-intercut sa mga scenes. Pwedeng totoong footage 'yun, or pwedeng modern footage na nilagyan nalang ng film grain para magmukhang luma. Si Grandmaster Flash pala ay totoo. I mean, totoong tao siya na master ng turntables at pioneer ng hip-hop music. Sa show, siya ay pino-portray ng isang actor na si Mamoudou Athie. Pero 'yung totoong Grandmaster Flash, na obviously matanda na, ay associate producer sa show na ito.

Shaolin (kanan) at Flash (kaliwa), na medyo kamukha ni Pharrell.

Dahil ito'y tungkol sa hip-hop, hindi talaga maiiwasan ang mga comparison sa Empire, ang hip-hop show ng Fox na lumabas noong 2015. Actually, malayo ito sa Empire. Ang magkatulad lang siguro sa dalawang shows ay ang African-American, hip-hop music, at New York City. Ang Empire ay mas katulad ng Glee, kung saan may mga original songs. Sabi nga ng British rapper na si Rodney P tungkol sa The Get Down, "I was worried. I saw the trailer and I thought, 'This is gonna be like a hip-hop version of Glee." Buti nalang hindi.

Magaling din ang casting para sa show na ito. Maganda ang chemistry ng DJ na si Shaolin at ng kanyang wordsmith na si Ezekiel, a.k.a. Zeke. Ayos din ang magkakapatid na sina Dizzee, Ra-Ra (Skylan Brooks), at Boo-Boo (Tremaine Brown, Jr.), pero parang tinamad ang writers mag-isip ng pangalan nila. Sa adults naman, ang galing ng mga veterans na sina Jimmy Smits at Giancarlo Esposito bilang magkapatid na magkalayo ang hitsura at landas. Pero ang pinakabida talaga rito ay si Mylene (Herizen Guardiola). Ang galing lang ng boses. At ang ganda pa niya.

In terms of narrative pacing, maganda ang pilot dahil na-hook ako agad. Ang isang indicator kung magiging maganda ang series ay ang pilot, dahil kung hindi ka na-hook sa pilot, hindi mo pagtiyatiyagaan panoorin ang mga susunod na episode. Pero ayos ang pilot, at hindi lang dahil si Baz Luhrmann ang nag-direct. Kaso lang, natapos ang six episodes na parang isang buong season na. Mid-season break lang dapat iyon, dahil twelve episodes talaga ang Season 1. Pero buo na siya e, at malamang ang magiging feel ng next six episodes ay Season 2. Hindi lang ako sigurado, so baka may surprises pa si Luhrmann up his sleeve.

Nakaka-bother ang pekpek shorts ni Boo-Boo.



The Get Down. USA. 2016.



Original na rating: 7/10
Walang Herizen Guardiola nudity: -0.1
Jimmy Smits bilang Papa Fuerte: +0.1
Kevin Corrigan bilang Jackie Moreno: +0.1
Kevin Corrigan na taga-Bronx talaga: +0.1
Medyo corny na rhymes ni Nas: -0.1
NYC graffiti: +0.1
Speech ni Zeke sa Episode 6: +0.1
Grandmaster Flash: +0.1
Final na rating: 7.4/10
YouTube

It seems as if After Earth was doomed from the start by viewer bias. We'd all rather just ride the Shyamalan haters's bandwagon, loudly exclaiming our displeasure and disapproval any chance we get. But someone has to stand up and defend the innocent, just like Jesus Christ stood up to Mary Magdalene's would-be stoners.

"Let he who has an Oscar acting nomination cast the first stone."


Also known as The Kung Fu Kid in China, South Korea and Japan, the film makes a clear distinction between Karate and Kung Fu. Blame the weird title on branding.

Some shots feel like a car commercial. Is this because the Chinese government is said to have sponsored this film? A good chunk of the movie is about this, which makes for a little boredom.

Jaden Smith has his mom's face and his dad's humor. And he can take on a dramatic scene too. "We moved to China. That's what happened." Though, there are moments when you realize that he's only 12 and he has a long way to go.

I've never really been a fan of the Jackie Chan-Hollywood combination, but Jackie Chan was good here. Props to Christopher Murphey and Robert Mark Kamen for a writing a script worthy of Jackie Chan.

Tarajie P. Henson is a hot mom.
Also, Wikipedia says Michelle Yeoh played that Kung Fu master who was balancing on a cliff with a cobra. Didn't look her, though.

Dre Parker (Jaden Smith) meets an American kid right when he gets off their car to their new apartment in Beijing. Where was that kid for the rest of the movie?

So yeah, for the branding and for what didn't happen to Kung Fu kid's supposed American best friend in China, and for the boring bits, I give this a 7 /10.
I saw this film after the nauseating camera movement of Quarantine, and I thought to myself, "Finally, a proper movie."

But that's all this is---a proper movie. Not even a great movie. Just proper.

First of all, it's a sci-fi flick. Very few science fiction movies can come up with something original this day and age. Aliens and spaceships and aliens and saving the earth and more aliens---this is basically what this film is in a nutshell. Well, this actually is a remake of a 1951 film of the same title, directed by Robert Wise (who directed The Sound of Music). This 2008 version was directed by Scott Derrickson, and what he did was to update some themes in the old version to make it more relevant to today's audience.

Okay, let me stop pretending I know a lot about the original 1951 version, so for a comparative analysis between the two films, just read this excellent review.

Let's just go directly to the aspect that I love to criticize the most: acting. First of all, Keanu Reeves. It might be just me, but I really think that Keanu Reeves has a very limited acting style. I know he tries hard, God bless him, but somehow it seems his best performance was playing Ted "Theodore" Logan of the Bill and Ted films. Now Jennifer Connelly is another story. I've loved her since Labyrinth, and her Oscar win for A Beautiful Mind cemented her status as a really talented actress. I think it's in her eyes, which does half of her acting for her.

Another Oscar winner in this film is the wonderful Kathy Bates, but I believe her role in this film as the US Secretary of Defense downplays her acting abilities. Veteran John Cleese makes a very short appearance as some Nobel Prize-winning scientist, while Jaden Smith (son of Will Smith and Jada Pinkett) gives an annoyingly good performance. His acting is so effective that you'd hate the brat.

Anyway, before the holiday lineup invades the movie theaters, go see this movie if you love effects-driven films, or if you want to see Keanu Reeves's handsome mug on the big screen. But for the true science fiction fans, the only thing worth waiting for right now would be the remake of Frank Herbert's Dune.


Rating: Three and a half stars.
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