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| "Freddie Mercury's got nothing on me." |
1. I came across Dexter Fletcher as an actor in HBO's Band of Brothers and Guy Ritchie's Lock, Stock and Two Smoking Barrels. That's why it came as a pleasant surprise that he can actually direct. I don't know why, but I have great respect for actors-turned-directors. It shows a seriousness to the craft, and a love of the art form. He actually took over the director's chair in last year's Bohemian Rhapsody after some production problems forced the studio to fire Bryan Singer, although Singer retained sole directing credit. Rocketman gives Fletcher full credit, and the director totally deserves it.
2. Taron Egerton is one underrated actor. This has already been pretty evident from 2015's Eddie the Eagle. He's not the typical Hollywood pretty boy (maybe because he's Brit), and he doesn't have the standard multi-ethnic American look (also maybe because he's Brit). It's not his looks, though, that needs to be utilised. It's his acting chops.
3. Speaking of underrated actors, so is Jamie Bell. He's very low-key in almost every movie he's in, able to blend into his role, and not standing out as one of those "Hey, I know that guy, he looks familiar" kind of actors. I think both Taron and Jamie Bell are underrated because they are not boxed into specific molds. They aren't chiseled action stars, or boys-next-door, or leading man types: they're versatile. That said, Jamie Bell played Bernie Taupin marvelously because, as in real life, Taupin never upstaged Elton John, but contentedly remained behind the scenes.
4. Admittedly, I am not a huge Elton fan. I do know a lot of his songs, though, and I can sing some of them from memory. That's how popular he was. Apparently, his discography goes way deeper than the usual karaoke staples, and Rocketman introduces most viewers to a body of work any musician would aspire for. For those experiencing Elton John for the very first time, this film acts as a pretty comprehensive introduction to the man and his music.
5. Magical realism is a technique or style in fiction that "uses magical elements to make a point about reality". It is used more in literature, popularised by the literary giants of Latin America, but it is also used in cinema, although not as many films have pulled it off correctly (the ones of note are the French film Amelie from 2001 and Tim Burton's Big Fish from 2003). The correct way to utilise magical realism is by using the technique sparingly: make the established reality appear solidly real enough, with the magical elements acting merely like sprinkles on the ice cream of reality. Dexter Fletcher's decision to use magical realism to tell Elton John's life story has been one of the best decisions in the making of this film.
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"Are you supposed to be a bird of paradise or something?" "Nope. A sarimanok." |
6. Hairspray is a musical. Les Misérables is a musical. Ray is a biopic. Bohemian Rhapsody – if you'll agree that it's about Freddie Mercury and not Queen – is a biopic. Rocketman, however, straddles both worlds: Rocketman is a musical biopic. A biopic is a feature film about a certain person, which makes it biographical in nature, and is usually told as straight-up storytelling. A musical, on the other hand, uses song and dance in lieu of the usual dialogue exchange (it can be for some scenes, or it can be for all scenes). Rocketman does both: it tells the story of Elton John, and it uses song and dance to tell that story. Song and dance numbers in musical biopics are not merely incidental to the story; they are an integral part of the story.
7. Richard Madden's hair is annoying. I guess I got so used to him as Robb Stark that even the sight of him without facial hair is annoying. But it's not just his facial hair (or actually the lack thereof) that bugs me. It's his sleazeball hairdo, combed to the side and long at the back, like some douchebag from Elizabethan times. It's very cringe-worthy, in my opinion. Ugh.
8. If you've known Elton John in his early days, you'd know he was a flamboyant showman, given to loud and extravagant costumes. I wouldn't say they're 100% accurate, but I'd say they're pretty close. There's even a side-by-side comparison in the end credits, showing the real photographs beside the modern recreation, and you can see there are very small, very subtle differences in the wardrobe used. It's the spirit that matters, anyway, not the one-to-one correspondence down to the last sequin. Nobody really cares about that.
9. A musical is an audio-visual experience. The songs and music, those are the audio part. The visual part would be the dance and choreography. These visual elements work very well for Rocketman because of the gorgeous camera movements and the smooth transitions. I wouldn't be surprised if they adapted this into a theatre musical for Broadway or the West End.
10. It doesn't really matter if Taron Egerton can't play piano. In case you noticed it, there are no shots showing Taron's hands actually playing the piano. He probably knows how to play a little, but not enough to fake being a virtuoso like Elton. His performance is believable enough, and his acting as sincere as it can get, that no one really cares if he's actually playing piano or not.
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| "Just stay in the background, Madden, your hair sucks." |
Rocketman. UK/USA/Canada. 2019.
Original rating: 8.4/10
Bryce Dallas Howard: +0.1
Stephen Graham: +0.2
Final rating: 8.7/10
