Da Couch Tomato

An attempt at a new layout, with horrible glitches, and very minimal knowledge of HTML.
Showing posts with label vincent d'onofrio. Show all posts
Vincent D'Onofrio should count as two persons.

Before anything else, let me just say that this movie isn't an original. It's a remake. The original film of the same title was released in 1960, directed by John Sturges, and starred Hollywood powerhouse actors Yul Brynner, Steve McQueen, Charles Bronson, and James Coburn, among others. But that film was also a remake (a more precise term would be a "transposition") of the great Akira Kurosawa's Seven Samurai. So you could say this film is a remake of a remake.

Anyway, whether or not you're iffy about remakes, or if you lament the lack of original screenplays in Hollywood, here are seven magnificent reasons to go see this film.

1. It's a Western
Yes, Westerns are a western genre (See what I did there?). Well, not just the West in general, but America in particular, because it was only their country that had the westward expansion. But apart from cowboys and Indians, Westerns embody something much more than its geographical setting. Westerns take us back to the grit of the past, when social relationships were wilder, when death was an everyday occurrence, and when the line between banditry and chivalry was blurred at best.

See? Western.

2. Peter Sarsgaard is despicable
I first saw Peter Sarsgaard in An Education alongside Carey Mulligan. He comes off as a nice guy, with a sort of Paul Rudd vibe, so seeing him in a villainous role is a huge break from character. And no, he is not related to Stellan Skarsgård.

Great goatees always indicate villains.

3. Chris Pratt is funny
Chris Pratt never really broke away from the comedic mold he was known for in Parks and Recreation. Even after shedding some weight and buffing up for his roles in Guardians of the Galaxy and Jurassic World, his comedy chops still remained a part of his acting arsenal. In this film, he gets the funniest lines, making him the unofficial comic relief.

Chris Pratt, in his best "I'm-no-comic-relief" pose.

4. Denzel Washington is, well, Denzel
Don't get me wrong, Denzel Washington is the manliest of the Magnificent Seven. He is indeed the most alpha-male among the cast. My only problem? He's black. No, I'm not being racist. Hear me out. I just think it's not historically accurate. The movie has no date of reference, so let's peg it at sometime around the real-life Gunfight at the O.K. Corral, which was in 1881. Slavery officially ended in the United States after the Emancipation Proclamation in 22 September 1862. Chisolm, Denzel's character, wouldn't have been out of place then as a free man in the Wild West. But for him to lead five white men and a Native American? Highly unlikely. The African-American Civil Rights Movement went full swing in the 1960s, and before that, black people were segregated to the back of buses. What I'm saying is, if this film were historically accurate, Chisolm would've been lynched within the first fifteen minutes.

"I'm still pissed about his Oscar win for Training Day."

5. Antoine Fuqua is brilliant
Aside from directing both Ethan Hawke and Denzel Washington in Training Day, Antoine Fuqua also directed King Arthur, the period film which launched Clive Owen's Hollywood career. Like King Arthur, The Magnificent Seven is an ensemble film starring multiple cast members, and Fuqua seems to have action films like these covered. It's a wonder Disney hasn't asked him to direct a Marvel flick. He'd be great at it. Or maybe they already did, and he declined. Whatever.

"You know why Chisolm's black? That's right, motherfucker."

6. Haley Bennett is pretty... good
Yes, Haley Bennett is a good actress. But what I really want to say is, damn, she is really pretty. In the film, it's not that noticeable, because of the grit and grime from the dust of the wild west. But once I saw the real Haley Bennett, I was like, "Damn, what a beauty".

I mean, come on. Look at her.

7. Some characters died (Spoilers ahead)
So this is the story of seven men who risked their lives to thwart evil and save innocent lives. With such a noble premise as this, one should already expect that there will indeed be deaths, innocent or otherwise. Not all of the Magnificent Seven made it alive; that would be too implausible, too Hollywood. But not all of them died, either, which made it more realistic. Jack Horne (Vincent D'Onofrio) died like Boromir in The Fellowship of the Ring, shot with arrows. Goodnight Robicheaux (Ethan Hawke) and the Chinaman Billy Rocks (Byung-hun Lee) died in the sniper's nest up in the church steeple. And Josh Faraday (Chris Pratt) had the most magnificent death of them all: sacrificing himself to take out the big guns with a stick of dynamite. Among the seven, the last ones standing were Chisolm the negroe (Washington), Vasquez the Mexican (Manuel Garcia-Rulfo), and Red Harvest the Indian (Martin Sensmeier), which is probably a statement about how the ethnic minorities will be the last ones standing after a gunfight.

The boys doing the mandatory "Armageddon walk".



The Magnificent Seven. USA. 2016.



Original rating: 7/10
No Haley Bennett nudity: -0.1
Gunfights: +0.1
Vincent D'Onofrio's horse-bump: +0.1
Final rating: 7/10

A great popcorn movie, and just right at ninety minutes or so.

Oscar winner Barry Sonnenfeld directs this comic book adaptation, and it's actually so effective because the film itself also runs like a comic book. The lighting and the effects are perfect for the mood the film is trying to go for, which is The X-Files meets Star Wars.

Tommy Lee Jones is perfect as the no-nonsense Agent K, a perfect match to the comic relief and occassional coolness of Mr. Will Smith. My only problem was Will Smith's wardrobe in the beginning. Orange half-jumpsuits are so...nineties.

Anyway, the sexy Linda Fiorentino is quite entertaining as the only female lead in this movie, but it makes me wonder what happened to her career. Where are you now, Linda Fiorentino?

But the best performances in the movie come from Tony Shalhoub and Vincent D'Onofrio. Tony Shalhoub's Jeebs is delightful, and I suppose a lot of Hollywood actors would die for roles like this, playing against type, and getting a huge kick out of it. And Tony Shalhoub is almost unrecognizable here, what with the buck teeth and the crossed eyes. And Vincent D'Onofrio's performance as Edgar the Bug─classic. This should be viewed by any aspiring method actor, as every move done by D'Onofrio, every twitch of his face, and every faltering step he takes, everything he does can only be done by an alien in someone else's skin. Vincent D'Onofrio is a genius. And it also helps that both Jeebs and Edgar have excellent makeup, since this film, by the way, took home the Oscar for Best Makeup. How cool is that?

Men in Black was done with the early versions of computer-generated special effects, and now, more than ten years after its theatrical release, still remains as one of the most genuinely entertaining science-fiction comedies ever produced. And for that, we thank Steven Spielberg for producing this. We love you, Mr. Spielberg.


*some info from IMDb
pic from aceshowbiz.com


Men in Black. USA. 1997.


Rating: Eight and a half out of ten.
Tony Shalhoub: Nine out of ten.
Vincent D'Onofrio: Nine out of ten.
The best war movies were made before CGI came along.

Of course, no decent filmmaker would use CGI to recreate the cold and deadly atmosphere of warfare. Nothing replaces the real thing. And this film was by Stanley Kubrick. And we all know how much of a perfectionist he can get.

R. Lee Ermey is hilarious as Gunnery Sgt. Hartman. The only thing is, he isn't trying to be funny. He is trying to be serious. But his lines are so damn funny. "I'm gonna give you three seconds, exactly three fucking seconds, to wipe that stupid-looking grin off your face or I will gouge out your eyeballs and skull-fuck you!" His performance here was mostly improvised (extremely rare for a Kubrick film), and has become the template for all Gunnery Sergeants after him (remember Jarhead?).

Vincent D'Onofrio as Private Pyle makes you want to sympathize with him. When a soldier snaps out of his sanity, it is never his fault. It's always the war, or the top brass, or the system's fault. Never the soldier. But, short as it is, D'Onofrio's screen time is possibly the heaviest in the whole film. Even heavier than the actual war scenes.

The beauty of Kubrick's directing comes out in the latter half of the film, when the troops are actually in Vietnam. Fluid and precise camera movements, plus perfect framing of the subjects---Stanley Kubrick really knows how to handle a scene. Every aspect of the film is under his watchful eye. The only drawback to Kubrick's filmmaking style is that it becomes too rigid. You can actually feel that there is no room for improvisation. The only exception, again, was Gunnery Sgt. Hartman.

There are a lot of films out there about the Vietnam war, but only a few good ones. Full Metal Jacket, like Platoon, are the few that stand out.


*some info from IMDb
pic from chessville.com


Full Metal Jacket. USA. 1987.


Rating: Eight and a half out of ten.


dacouchtomato.blogspot.com
Premium Blogspot Templates
Copyright © 2012 Da Couch Tomato