Da Couch Tomato

An attempt at a new layout, with horrible glitches, and very minimal knowledge of HTML.
Showing posts with label christina hendricks. Show all posts
Strangely, Duke Caboom looks a lot like Keanu Reeves.

I've said this over and over again: I am not a fan of sequels for profit's sake.

That said, Toy Story 4 should not have been made. Toy Story 3 would have been the perfect closer, as the entire Toy Story franchise would've focused on Andy and his relationship with his toys. We began with Andy as a young boy, and ended with Andy going off to college and passing on his toys to someone worthy of playing with these magical mischief-makers. Toy Story 3 was the perfect ending we all needed.

But that's that. Toy Story 4 did get made. So we're gonna have to deal with it.

The good thing about this fourth film is that it wasn't terrible. It wasn't bad at all. Well, it wasn't perfect, and neither was it great. It was just... good.

The rest of the cast, I believe, reprised their roles, led by Tom Hanks and Tim Allen as Woody and Buzz, Annie Potts as Bo Peep, Joan Cusack as Jessie, Wallace Shawn as the slightly neurotic Rex, John Ratzenberger as Hamm, and Don Rickles as Mr. Potato Head. But the best thing about this ensemble would be the new additions. Keegan-Michael Key and Jordan Peele of Key and Peele fame play the amusement park stuffed toys Ducky and Bunny, Christina Hendricks plays the creepy doll Gabby Gabby, Tony Hale plays Forky, while the Internet's boyfriend Keanu Reeves plays Duke Caboom, the Canadian daredevil with a penchant for motorbikes. If only a ten-movie deal were in order, these new guys definitely need to be back.

The thing that ties the whole four-film series together would be Randy Newman's music, which has Toy Story written all over it. Newman's country-like drawl set to the soothing sounds of acoustic steel guitars has been the series's signature sound since Toy Story's debut in 1995, and to deviate from that now would be alienating to the fans, especially those who didn't want a fourth movie in the first place.

All in all, Toy Story 4 feels like an epilogue. But not just your usual epilogue – it feels like an epilogue that forces its nostalgia on its viewers, sort of like having a completely wrapped trilogy and then going, "Hey, wait! We still have more little anecdotes to share! Don't leave!" Honestly, though, I hope this is the end of the series. New and original films are what's missing in Hollywood right now, and it seems that even the pre-movie Pixar short film, the last great venue of original animated storytelling, was taken out of the equation. Bring it back, please.

"Nah, I don't think we're getting our own spin-off."



Toy Story 4. USA. 2019.



Original rating: 8.0/10
Rashida Jones as one of the story writers: +0.1
Badass Bo Peep: +0.1
No Pixar short: -0.3
Final rating: 7.9/10
AMC

Welcome to Madison Avenue, home of the Ad Men, or Mad Men, as they like to call themselves. (See, that's a play on the words "advertising", and "Madison"─Mad. Get it?)

I've heard about this show before, but I never got a chance to watch it, because when this show started, I was extremely biased towards HBO productions and tended to ignore all the other shows on TV.

It was only when I became a copywriter that I decided to check the show out. I needed some inspiration, because I just realized that I suck at writing copy. And inspire me it did. Everyone in a line of work involving creativity will definitely learn a lot here, from the first episode's Lucky Strike campaign (It's Toasted!) up to the season ender's brilliant, sentimentally tear-jerking pitch of the Kodak carousel slide projector.

AMC
"I'm crying because of the sheer brilliance of this scene!"

Mad Men is set in 1960s America, sometime during the Nixon-Kennedy election showdown. And the show does indeed look convincingly like the 60s. The hair, the costumes, the production design, the cinematography, the soundtrack─everything is swingin' sixties, baby. This, ladies and gentlemen, is the best use of effective realism I have ever seen on television.

The entire visual look is so effective, it looks like those 60s Coca-Cola ads brought to life.

Like this, basically.
Premium Blogspot Templates
Copyright © 2012 Da Couch Tomato