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Da Couch Tomato Podcast, Episode 7, discussing Netflix's The King, the importance of historical films, and how good special effects are those that go unnoticed.

Background music used is The King's musical score by Nicholas Brittel.

Hosts: Sting Lacson and Rachel

"Thanos? Bring it."

•First of all, I've only seen this once, and I came out of the theatre with very little to take home with me. This is one of those very rare films which I practically forgot as soon as I exited the cinema. Is it because I may have been a bit sleepy? Maybe. But again, that's very rare. Even Brie Larson's pretty mug was forgettable.

•As a "girl power" film, it of course makes sense that this film was released to coincide with International Women's Day, which is on the 8th of March. I guess you could classify Captain Marvel as a feminist movie, and an enjoyable one at that. Although DC beat Marvel to the punch with the critically-acclaimed Wonder Woman, this film is a step in the right direction. So, good job, Marvel, and may you release more films about superheroines.

•The songs used were great, of course, especially for kids who grew up in the 90s. However, I am of the opinion that the music used was great on its own, but not as a soundtrack. The way the music was used in Captain Marvel was a far cry from how James Gunn used his 80s soundtrack in Guardians of the Galaxy (both Volumes I and II), which was more cinematic. The Guardians of the Galaxy music not only set the time the films were set in, but they also set the mood, and were somehow connected to Star-Lord's journey. Captain Marvel's song catalogue, on the other hand, felt like it was just there to set the milieu.

•I've been more of a Marvel fan than a DC one, and that was since grade school. Sadly, I was not a fan of Captain Marvel as a character. The only thing I remember was that Captain Marvel in the comics was a male. I'm basing my memory off a Marvel trading card, and I have to admit, my memory may be hazy. Anyway, whether or not Captain Marvel was originally a male or female is moot: the fact that Marvel Studios decided that the superhero who bears the studio's name, and the superhero rumoured to be the only one who can whoop Thanos's ass, would be female, that's a big step in the fight for gender equality in Hollywood.

•Honestly, I found the plot a bit confusing. But then again, I've only seen it once, and I was a bit sleepy. Anyway, the film was set in the 90s, right? But then Carol Danvers was having flashbacks of a different life, which kind of looked like it was a life in the 90s. So what is it, really? I think I need to watch this again, at least before Avengers: Endgame hits the theatres.

•Now let's talk about Samuel L. Jackson. The modern-day Nick Fury is a bad-ass, and he even looks the part, with his eyepatch and slightly toned down Pulp Fiction swagger. Then we find out how he got the scar. Scratched by a cat. I guess people just assumed he got it fighting some super villain, then he just kept silent and let people go on thinking that.

•And speaking of cats, that ginger feline kind of stole the show. The name Goose, I think, is a Top Gun reference, because of the whole fighter pilot vibe they got going. And the whole tentacle-shooting-from-the-mouth thing makes the cat look like it came straight out of Men In Black. Anyway, I think Goose is more than just comic relief. He may have a bigger part to play in Avengers: Endgame. Wouldn't it be cool if it was actually Goose that defeats Thanos?

•Yes, we know this movie is about girl power, but is there also a queer angle to it? I've heard opinions that Carol Danvers and her Air Force BFF Maria, played by Lashana Lynch, are lesbian lovers. Honestly, I didn't get that vibe, although my gaydar has never been accurate. If the lesbian angle was intentional, it wasn't obvious. And if it was obvious, it doesn't really matter. They're close friends, and whether or not they're lovers doesn't matter.

•And of course, no Marvel movie is complete without special effects. Marvel has been setting the standard for popcorn flicks even before the MCU was introduced. With these kinds of storytelling, world-building is crucial, and with world-building comes believability, because what good is an alternate world if it's not believable?

Men do not generally give up their seats to powerful women.



Captain Marvel. USA. 2019.



Original rating: 6.6/10
Gemma Chan: +0.2
Gemma Chan in blue makeup: -0.1
Unrecognisable Ben Mendelsohn: +0.1
Unrecognisable Lee Pace: +0.1
Recognisable Djimon Hounsou: -0.1
Jude Law plot twist: -0.1
Annette Bening: +0.1
Clark Gregg: +0.2
Final rating: 7/10
You know this isn't porn because he still has his shirt on.

Ah, Ready Player One. I loved the book a lot, so when I found out it was going to be a movie, I almost pissed my pants in excitement. I was even a little miffed that 2017's The Last Jedi pushed back RPO's release date to March 2018. But it doesn't matter. It's playing now in theatres, which is a good thing. And that's just one of the many good things about this film, such as...

1. It's Steven Spielberg at the helm.
I've mentioned it before. Spielberg is one of the best visual storytellers alive today. He has such a very deep understanding of cinema: from composition, to cinematography, to narrative pacing, to adaptation. He is a great director because he is effective. His camera movements are not for show; they have a purpose, which is to reveal information or to advance the story forward. He's been doing this a long time, so he's become quite good at it.

2. Ernest Cline co-wrote the screenplay.
This is one of the very few instances where an adapted screenplay is also penned by the same author of the source material. Cline's book was a perfect nerdgasm of 80s pop culture references, plus the world-building he did was so fantastic that apparently, the virtual reality (VR) company Oculus gave all its employees a copy of the Ready Player One book. However, some scenes in the book are either not cinematic enough or just downright unfilmable that another writer was needed to crack the adaptation problem. And that's where co-writer Zak Penn comes in. With Penn in the equation, the final screenplay is, well...

3. It's not like the book.
Around a quarter of the way into the film, I just gave up on any expectations that the movie would be faithful to the book. Well, the spirit and essence of the book was preserved, thanks to the close collaboration between Penn, Cline, and Spielberg. There's still the quest, the three challenges, and the David vs. Goliath theme (Parzival against the big corporation IOI). But the details have changed drastically, and the narrative took a different direction. The challenges have been altered: the first challenge, the race, was not in the book, while the second challenge was changed to The Shining instead of War Games. But it doesn't matter, actually, as this is a great story on the page and on the screen.

4. The actors aren't that well-known.
Spielberg made a good call with this film's casting, opting to go for mostly newcomers. With the exception of Ben Mendelsohn, Simon Pegg, and Oscar winner and new Spielberg favourite Mark Rylance, the rest of the cast are relative unknowns. I think it's probably because the filmmakers want us to concentrate on the wonderful story, and having too many Hollywood A-listers might take the attention away from the narrative. That or the special effects took up a bulk of the budget.

5. References galore.
The book was a veritable nerdgasm of 1980s pop culture references. There's references to 1980s movies, music, and most of all, video games. In the book, though, it was explicitly stated that James Halliday was a huge fan of everything 80s, so all references came from that decade only. The movie didn't make that distinction, though, and opened up its references to other decades. There's Speed Racer from the 60s, Star Trek from the 70s, Jurassic Park's T-Rex from the 90s, Firefly's Serenity from the 00s, and Minecraft from the 10s. I guess including references from the more recent decades would please the younger fans instead of alienating them.

I've seen Jerry Seinfeld drive a DeLorean. Not that impressive.



Ready Player One. USA. 2018.



Rating: 8.7/10
Female leads and Latino guys are fast becoming a Star Wars staple.

WARNING: SPOILERS AHEAD (But you should've already seen this film by now)

Ahh, Rogue One. The first film in the Star Wars franchise that's not about the Skywalker family. Also described by director Gareth Edwards in The Director's Cut podcast as "the District 9 of the Star Wars universe", in terms of having a relatively low budget but delivering the most bang for the buck. And indeed, it does deliver.

But like all films with a huge fan base, there will be complaints. Some complain about the different types of stormtroopers that are never seen again after Episode IV. Some complain about the morally gray characters, like the supposedly good rebels who kill indiscriminately. All I can say is, ignore them. Well, if you're a true Star Wars fan, you'd watch this film regardless of the reviews. Just as if you're a true Star Wars fan, you would've recognised Mon Mothma from the trailer. Yes, I'm talking to you, weird guy with a Kylo Ren lightsaber in the theatre.

That said, here now are six reasons why Rogue One is possibly the best Star Wars story since, oh I don't know, The Empire Strikes Back.

K2SO
K2SO is my new favourite Star Wars droid. I can't say I had an old favourite. Maybe Chopper from Star Wars Rebels. Or BB8. But they're astromechs, incapable of human speech. And I've always found C3PO to be a bit too effeminate for my tastes. And now we have K2SO, a witty, sarcastic, funny, and badass former Imperial droid refurbished for rebellion purposes. Almost all the laugh-out-loud moments from Rogue One were uttered by K2SO. Oh, and he's voiced by Alan Tudyk, who was practically given free rein to ad lib his way throughout the entire production. And that is the reason why Alan Tudyk is one of my favourite voice actors of all time. Ever.

Disney did good after having Tudyk voice Moana's voiceless chicken.

All the Easter eggs
Like I said, this film is a fanboy's wet dream come true. You can actually play a game while watching this, something like "Spot the Easter Egg". Let me rattle off some from the top of my head. The Mon Calamari fleet admirals (not Ackbar, sadly). The blue milk. Chopper, Artoo, and Threepio's cameo. That cantina duo from Mos Eisley (the one whose arm got sliced off by Obi-Wan Kenobi). Mon Mothma. Bail Organa. General Jan Dodonna. "I have a bad feeling about this." The rebel pilots Red Leader and Gold Leader. And of course, the special cameos of...

Chopper on the far left. Mon Mothma on the far right. Nerdgasm achieved.

Grand Moff Tarkin and Princess Leia
While I consider this a real treat, the resurrection of late actor Peter Cushing has drawn flak from both fans and non-fans alike for the ethics of using a dead actor to reprise a role. But for that decision, Edwards is not solely to blame: Industrial Light and Magic (ILM) wizard John Knoll (who also wrote the story for Rogue One) can be held equally liable. The Star Wars flicks have always pushed the technological envelope, especially in terms of special effects, and the CG resurrection of deceased actors may or may not catch on, but you have to hand it to the special effects team. Well this should hardly be any surprise, seeing as John Knoll co-created Photoshop with his brother. Having Tarkin and Princess Leia in here is basically just like Photoshopping them in a motion picture.

A younger Leia browsing on her smart phone. Like young people nowadays.

The most badass Darth Vader ever
Some not-so fans would probably discredit Darth Vader's power as being not-so powerful, what with his labored breathing, limited mobility, and lumbering lightsaber swings. Some of them would even argue that Darth Maul would be the most badass Sith, and that the only thing Vader has going for him would be his use of the Force to asphyxiate his enemies. But Rogue One shows us what slow lightsaber swings can do to an entire ship of rebels. It can still make them pee their pants in fear, apparently. And the best part is it's still James Earl Jones's voice. May Darth Vader haunt the nightmares of generations more to come.

"I find your lack of fear disturbing."

It's a stand-alone film
This is possibly the best aspect of this film. Remember how greedy the Hollywood studio system has become? Bleeding franchises dry, adapting young adult novels left and right, splitting one book into two movies, that kind of thing? Well with Rogue One, Disney is seemingly reassuring us that "Look, we're not after your money. We're not going to give you three movies about one story when a single film will do." That's nice, Disney. But what they're really saying is, "Look, we bought the rights to this modern mythology that we all connect to, like the twenty-first century's Iliad, and we know you fanboys will eat up anything we release under the Star Wars banner. So this stand-alone film? This is nothing. We'll give you a hundred stand-alone films set in the Star Wars universe. And you'll all watch this like the desperate nerd losers that you are." That's pretty mean, Disney. But I have six words for you: Shut. Up. And. Take. My. Money.

Even Forest Whitaker's eyelid stands alone. Get it?

And finally... (spoiler)

Everybody dies
Yes, so sorry to disappoint you. There will be no other Jyn Erso movie, which means no more of Felicity Jones's face on IMAX. This is, after all, based on the opening crawl of Episode IV, about how "rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR". This is the story of those rebel spies. What they did was nothing short of heroic, having turned the tide for the Battle of Yavin. But where were those spies in A New Hope? Were they honoured with medals? Nope. If anyone deserved medals, it would be Jyn Erso, et al. But since the only one who got medals in that film were a rookie farmboy-turned-pilot, a smuggler, and a Wookie, we can only assume that everyone who had a hand in stealing the Death Star plans died. And this film is our way of honouring them.

Good luck killing Riz Ahmed's career, though. This guy's everywhere.



Rogue One: A Star Wars Story. USA. 2016.



Original rating: 8.0/10
No Felicity Jones nudity: -0.1
Mads Mikkelsen: +0.1
Riz Ahmed: +0.1
Alan Tudyk's ad libs: +0.1
Diego Luna's sexy accent: +0.1
Guy Henry as Moff Tarkin: +0.1
All the Easter eggs: +0.25
Ben Mendelsohn: +0.1
No George Lucas creative involvement: -0.1
Final rating: 8.65/10
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